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WHAT WE LEAVE BEHIND

Name: WHAT WE LEAVE BEHIND
Author: Rochelle B. Weinstein
ISBN: 978-1466236318

by Rochelle B. Weinstein ‧ RELEASE DATE: Feb. 15, 2012

A soapy novel that strains credibility at times but still manages to tell a good love story.

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A series of tragedies teaches one woman the difference between youthful passion and married love in Weinstein’s debut romance.

Jessica Parker is a spirited 16-year-old Angeleno living with her widowed mother and doing her best to hide her grief over her father’s death. While visiting the hospital where her mother works, Jessica meets 22-year-old Harvard medical student Jonas Levy and sparks fly. Jonas’ father, Adam, is dying of pulmonary fibrosis and his family is a fixture at the hospital that summer. Smitten with sexy Jonas and drawn to his close-knit family, she begins seeing him outside the hospital, despite the age difference—and despite Jonas’ long-term girlfriend, Emily. Jessica falls head over heels and Jonas seems to reciprocate, but when Adam dies, Jonas abruptly ends the fling. Her heartache lingers, but Jessica moves on to film school and an enviable job as a music supervisor with famous Hollywood producer Marty Tauber. They eventually marry and have a child, and Jessica finds fulfillment in her family and career until a tragic accident puts her marriage in jeopardy. During this period of uncertainty, an explosive secret is revealed and Jessica is unexpectedly reunited with Jonas. Unsure of Marty’s devotion and confronted with feelings she thought long buried, Jessica is forced to choose between her husband and the man she always considered the love of her life. Weinstein’s novel is a bit uneven, with the dilemmas Jessica faces as an adult proving more compelling than her teenage romance with Jonas. It requires considerable skill to depict young love with freshness, let alone to convince readers Jessica’s feelings are so extraordinary that even years later, after motherhood and a happy marriage, she would still take them as seriously as she did in adolescence. Unfortunately, the novel does not quite achieve these feats. The narrative is further weakened by Jessica’s penchant for maudlin flights of self-psychologizing instead of allowing readers to infer her feelings through her behavior. But the story’s twists and turns generate real tension, and Weinstein renders Jessica’s feelings with enough complexity that her ultimate decision carries emotional weight.

A soapy novel that strains credibility at times but still manages to tell a good love story.

Pub Date: Feb. 15, 2012

ISBN: 978-1466236318

Page Count: 328

Publisher: CreateSpace

Review Posted Online: April 4, 2012

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

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BETWEEN SISTERS

by Kristin Hannah ‧ RELEASE DATE: May 1, 2003

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

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Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

Categories:

GENERAL FICTION

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THE ALCHEMIST

by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

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Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.

The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.