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WHAT WE LEAVE BEHIND

A soapy novel that strains credibility at times but still manages to tell a good love story.

A series of tragedies teaches one woman the difference between youthful passion and married love in Weinstein’s debut romance.

Jessica Parker is a spirited 16-year-old Angeleno living with her widowed mother and doing her best to hide her grief over her father’s death. While visiting the hospital where her mother works, Jessica meets 22-year-old Harvard medical student Jonas Levy and sparks fly. Jonas’ father, Adam, is dying of pulmonary fibrosis and his family is a fixture at the hospital that summer. Smitten with sexy Jonas and drawn to his close-knit family, she begins seeing him outside the hospital, despite the age difference—and despite Jonas’ long-term girlfriend, Emily. Jessica falls head over heels and Jonas seems to reciprocate, but when Adam dies, Jonas abruptly ends the fling. Her heartache lingers, but Jessica moves on to film school and an enviable job as a music supervisor with famous Hollywood producer Marty Tauber. They eventually marry and have a child, and Jessica finds fulfillment in her family and career until a tragic accident puts her marriage in jeopardy. During this period of uncertainty, an explosive secret is revealed and Jessica is unexpectedly reunited with Jonas. Unsure of Marty’s devotion and confronted with feelings she thought long buried, Jessica is forced to choose between her husband and the man she always considered the love of her life. Weinstein’s novel is a bit uneven, with the dilemmas Jessica faces as an adult proving more compelling than her teenage romance with Jonas. It requires considerable skill to depict young love with freshness, let alone to convince readers Jessica’s feelings are so extraordinary that even years later, after motherhood and a happy marriage, she would still take them as seriously as she did in adolescence. Unfortunately, the novel does not quite achieve these feats. The narrative is further weakened by Jessica’s penchant for maudlin flights of self-psychologizing instead of allowing readers to infer her feelings through her behavior. But the story’s twists and turns generate real tension, and Weinstein renders Jessica’s feelings with enough complexity that her ultimate decision carries emotional weight.

A soapy novel that strains credibility at times but still manages to tell a good love story.

Pub Date: Feb. 15, 2012

ISBN: 978-1466236318

Page Count: 328

Publisher: CreateSpace

Review Posted Online: April 4, 2012

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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