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HIT REPLY

Labored, difficult to follow, and just plain juvenile.

Hey! A novel told in e-mails! Are there a few people left in Upstate Mongolia or the Greater Timbuktu Area who haven’t read a book in this tired format?

St. Clair gives it another go and asks a not-exactly-burning question: Is on-line adultery the same as the real thing? The answer is an amalgam of uninspired instant messages in lower-case and a lot of dated girltalk. (Note to author: venerable rocker Tom Petty was hot stuff a very long time ago and “let’s blow this popsicle stand” is not a cool way to say good-bye.) Amber Fleece, a 28-year-old single marketing director who yearns for true love and a real life, instead chats on-line endlessly. Sometimes she indulges in cybersex with a man she doesn’t know and has never seen, and sometimes she just yaks with her girlfriends, glass of merlot in hand. Married mommy Stephanie Hilliard is flirting with disaster by e-mailing Tom Markoff, creative director at Millennia Marketing, where she used to work. Brave lost soul Julie Desmond reinvents her life at the age of 45—over the objections of her whiny son. A touch of gravitas is added when Amber must undergo chemo for Hodgkin’s disease. Will her on-line lover show up? Yes, and he’s a gorgeously scruffy hunk with just the right amount of stubble and cornflower-blue eyes. O death, where is thy sting? From an author of lightweight romantic suspense for Pocket Books and category romance for Silhouette, who confides in the Reader’s Guide that her “grown-up real name” is Roxanne St. Clair.

Labored, difficult to follow, and just plain juvenile.

Pub Date: Dec. 1, 2004

ISBN: 0-7434-8624-2

Page Count: 320

Publisher: Downtown Press/Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2004

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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