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MAKING TOAST

A FAMILY STORY

Through the glass of the author’s transparent style we see all the sharp and soft contours of grief.

A father grieves over the stunning loss of his 38-year-old daughter, who died in 2007 of a rare, undetected heart condition while exercising at home.

Rosenblatt (English and Writing/Stony Brook Univ.; Beet, 2008, etc.), who has excelled in nearly every literary form—journalism, drama (six Off-Broadway plays), nonfiction and fiction—now adorns the memoir genre with a graceful, slim but piercing tale of loss and its sometimes grievous, sometimes ennobling effects. The author describes his daughter, a pediatrician with three children and loving husband, in tender tones. The extended family seems remarkably cohesive and affectionate, with a fondness for irony and humor. Rosenblatt and his wife, Ginny, moved into their daughter’s in-law apartment in their home and assumed as many useful roles as possible. They taxied children, cooked, cleaned, ran errands, etc. The title derives from one of the author’s morning tasks—making the children’s breakfast. Though deeply wounded by tragedy, Amy’s family was financially fortunate—able to afford private schools, a child psychotherapist and a nanny 12 hours per day, five days per week, as well as a retreat to the elder Rosenblatts’ capacious and quiet summer home in Quogue. The author rarely discusses how fortune—financial and otherwise—eased their awful burden. Although the flow of the text has a gentle current, it frequently shifts and bends and obeys a psychological rather than a chronological imperative. Rosenblatt employs the urgent present tense as he relates how he and the others cope, but for Amy he must use the painful past. There is plenty of hugging and tears, but thankfully no mawkishness or emotional manipulation.

Through the glass of the author’s transparent style we see all the sharp and soft contours of grief.

Pub Date: Feb. 16, 2010

ISBN: 978-0-06-182593-4

Page Count: 176

Publisher: Ecco/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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