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A LITTLE LOVE STORY

An intelligent tear-jerker.

Eros and Thanatos in Boston.

Merullo (In Revere, In Those Days, 2002, etc.) risks the mawkish in this readable tale. Having just spent a celibate year mourning the death of his girlfriend Giselle, Jake Entwhistle emerges for a donut, only to meet and fall for Janet Rossi, a woman dying of cystic fibrosis. Jake is the new man incarnate—both carpenter and artist, given to goofy jokes and the occasional fistfight in defense of maidens in distress. Giselle, it turns out, died on 9/11, aboard Flight 93, when it crashed in Pennsylvania. Janet, who was having an affair with her boss, Charles Valvelsais, the shady but recently reelected governor of Massachusetts, may not survive the year it will take for her to find a lung transplant donor. The lovers do snatch some moments of happiness together, but Merullo spends more time charting Janet’s illness than he does the happiness. A visit to Jake’s brother, a Catholic monk, brings up the subject of belief. Jake speculates on an indifferent God, “a mean-hearted trickster” who permits the suffering endured by the diseased, the terrorized and their families. Some spleen is also directed at the medical establishment in the guise of various reptilian doctors whose treatment of Janet verges on the callous or self-interested. It falls to Jake to discover that she might be saved by a living lobar transplant. But his labors are far from over. He must twist the arm of the one local (retired, reluctant) surgeon who could perform the operation and then find two suitable tissue donors. Jake himself will be one and, at Janet’s urging, Valvelsais—who turns the challenge into a p.r. opportunity—the other. It would take a heart of stone not to be moved by Janet’s endurance. But it would take the hide of a rhino not to feel massaged into emotional compliance by the story’s heavily stacked odds of circumstance and character.

An intelligent tear-jerker.

Pub Date: Aug. 1, 2005

ISBN: 1-4000-4867-2

Page Count: 288

Publisher: Shaye Areheart/Harmony

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2005

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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