Another well-done excursion into Jean Auel territory.
The multipart saga set in a lush prehistoric valley continues.
The third volume in Fritsch’s Promised Valley series (Promised Valley War, 2012) explores the ongoing conflict between the valley people, who are prosperous farmers occupying all the richest Promised Valley lands, and the hill people, who inhabit the sparser uplands and live bitterly, believing that their gods promised the valley and its comforts to them. Since the valley people have a similar belief about themselves, a state of dangerous friction exists between the two groups. Savage warfare and desperate diplomacy marked the well-orchestrated events of the first two books, and tensions continue to boil to the surface in this volume. Blue Sky, a stalwart valley person (and one of the most memorable characters of the entire series) says at one point, “Fighting in a war is the most disgusting thing a person can do. People in their right mind can’t do it.” Nevertheless, plenty of such fighting threatens the fragile peace in this latest volume, in which the enemies trade numerous hostages in an effort by both sides to stop the cycle of distrust and bloodshed. And although there’s war, there’s also tolerance: As with the previous two books, the author presents us with a prehistoric society that places no stigma on being gay—key male characters have not only wives or intended wives but male lovers as well. The author attempts to make the various plotlines accessible to new readers, but the books lose some dramatic heft if not read in order. Still, the narrative impact is vividly realized in any case: These books continue to be an intelligent and involving look at the personal sacrifices of making war and keeping peace.
Another well-done excursion into Jean Auel territory.Pub Date: Dec. 4, 2012
ISBN: 978-0615739250
Page Count: 264
Publisher: Asymmetric Worlds
Review Posted Online: Feb. 25, 2013
Review Program: Kirkus Indie
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Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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