These superbly suspenseful stories evoke a world of hurt, but what makes them so deeply satisfying is that they enlarge our...
This selection of 34 stories from four collections signals the growing prominence of a fine author; the movie of his enthralling 2008 novel Serena is due this fall. Rash's writing is rooted in the mountains of North Carolina, the region’s history and folkways.
These stories describe a hardscrabble landscape streaked with violence that, in Rash’s telling, is graphic but never gratuitous. Some are set in the present, others in the past, which should be respected and remembered. A visiting Briton’s ignorance of his family’s history results in his savage punishment ("A Servant of History"); a mercenary moocher trashes soldiers’ graves and also gets his comeuppance ("Dead Confederates"). The most powerful contemporary stories highlight the ravages of meth addiction. Further back in time, "Hard Times" glimpses lives broken by Depression-era poverty, while the Civil War–related stories have an almost crystalline quality. The mountains are predominantly for the Union; a young wife, alone on her farm, must battle a scavenging Confederate soldier ("Lincolnites"). Pity Ethan Burke in "The Dowry." The war over, the young Union soldier hopes to marry the daughter of a Confederate colonel, who lost a hand on the battlefield. The colonel’s condition is that he receive a severed hand first. Even more haunting is the plight of two runaway slaves seeking shelter from a farmer maddened by grief over the loss of his son and wife ("Where the Map Ends"). He helps one slave on his way but detains the other; a rope hangs ready in the barn. Yet there’s light relief here too, from the antics of three dummies and one smart bear in the wilderness ("A Sort of Miracle") to a memorable fish story ("Their Ancient, Glittering Eyes").
These superbly suspenseful stories evoke a world of hurt, but what makes them so deeply satisfying is that they enlarge our capacity for empathy.Pub Date: Nov. 4, 2014
ISBN: 978-0-06-234934-7
Page Count: 288
Publisher: Ecco/HarperCollins
Review Posted Online: Oct. 7, 2014
Kirkus Reviews Issue: Oct. 15, 2014
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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