A fresh and amiable story that offers a fascinating glimpse of the inner world of boxing and manages to make it appear...
From boxing enthusiast/TV producer Fried (Corner Men, 1991): a first novel about the transformation of a nerdy Manhattan English teacher into a prizefight manager.
Vincent Rosen never had much in common with his father. Basically, Vincent was a spoiled brat, a nice Jewish boy from New York who slid through prep school and the Ivy League on his old man’s dough and ended up inheriting enough of it that he could afford to indulge himself by working as schoolteacher (and at a private school, at that). His father, Solly, on the other hand, was a real live wire—a rags-to-riches boy who made a fortune in the garment trade and invested in professional boxers. At his death, he had only one request for Vincent: Take care of my Palookas. So Vincent soon finds himself stumbling into a world he knows nothing about, hoping against hope that he won’t mess up too dramatically. His main prospect at the moment is Mickey Davis, a white contender from Pittsburgh who packs his groin full of ice in restaurants and believes that beer will help him lose weight. Mickey’s trainer Harry is a black conspiracy theorist who thinks that Vincent is the first Jew in history without a head for business—a view seconded by his publicist Bessie when Vincent balks at bribing sportswriters. Even Mickey begins to have some reservations about Vincent when he invites two bookies to pull up chairs and join them for dinner in a Midtown steakhouse. So why does Vincent stick with it, given that he never really liked his father that much anyway? Maybe it has something to do with finding his way in a world that’s more real than his classes on Joyce and Proust and Pound. Maybe he is Solly’s boy after all.
A fresh and amiable story that offers a fascinating glimpse of the inner world of boxing and manages to make it appear equally shabby and attractive.Pub Date: April 1, 2004
ISBN: 1-57962-101-5
Page Count: 174
Publisher: Permanent Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2004
BOOK REVIEW
BOOK REVIEW
A presold prefab blockbuster, what with King's Carrie hitting the moviehouses, Salem's Lot being lensed, The Shining itself sold to Warner Bros. and tapped as a Literary Guild full selection, NAL paperback, etc. (enough activity to demand an afterlife to consummate it all).
The setting is The Overlook, a palatial resort on a Colorado mountain top, snowbound and closed down for the long, long winter. Jack Torrance, a booze-fighting English teacher with a history of violence, is hired as caretaker and, hoping to finish a five-act tragedy he's writing, brings his wife Wendy and small son Danny to the howling loneliness of the half-alive and mad palazzo. The Overlook has a gruesome past, scenes from which start popping into the present in various suites and the ballroom. At first only Danny, gifted with second sight (he's a "shiner"), can see them; then the whole family is being zapped by satanic forces. The reader needs no supersight to glimpse where the story's going as King's formula builds to a hotel reeling with horrors during Poesque New Year's Eve revelry and confetti outta nowhere....
Back-prickling indeed despite the reader's unwillingness at being mercilessly manipulated.
Pub Date: Jan. 28, 1976
ISBN: 0385121679
Page Count: 453
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: Jan. 1, 1976
PERSPECTIVES
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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