A bold, politically minded tale with a spiritual soul.

KINGDOM OF WOMEN

A feminist alternative history novel explores the morality of violence.

In a world slightly different from readers’ own, women suffer the same primordial trespasses against them: unwanted sexual advances, harassment, violence, silencing. In this realm, however, a vigilante organization exists in order to strike back against those who trespass against them. One woman who has suffered more than most is Averil Parnell. The lone survivor of an infamous massacre meant to snuff out the first-ever class of female Roman Catholic priests, Averil is of two minds on the nature of violent justice. The church teaches forgiveness, of course, but some acts may be impossible to pardon. “What do you do with the anger?” Averil muses while counseling a young woman who wants to kill her male blackmailer. “And the young woman’s more immediate, more pressing concern: What should I do with it?” Regardless of Averil’s association (or lack thereof) with extralegal groups, her symbolism and mysticism place her at the center of an ever expanding cult of admirers and believers even as her failure to meet a different vow—that of celibacy—threatens to upend everything this priest has built. Whether peaceful or violent, no movement that challenges the status quo can hope to escape the notice of the powers that be. Kearns writes in a precise prose that elegantly skates the line between literary and conversational, delivering sharp images and observant barbs: “Nothing could rattle her calm, not the seedy diner with its greasy windows and tasteless meat loaf, nor the equally seedy convenience store across the street, where she sensed the usual unwanted male attention as soon as she pushed through the door.” The world the author has created is inventive and provocative, but she does not rely on premise alone to sustain the book. Averil and the other point-of-view characters are fully formed and richly motivated, and the novel’s daring critique of today’s patriarchy never feels didactic or forced. As in Margaret Atwood’s The Handmaid’s Tale, this novel offers an alternate reality that feels disturbingly real. It demands the reader live inside it and see who gets destroyed.

A bold, politically minded tale with a spiritual soul.

Pub Date: Nov. 1, 2017

ISBN: 978-1-937543-42-6

Page Count: 282

Publisher: Jaded Ibis Press

Review Posted Online: Oct. 11, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TRUE BETRAYALS

Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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