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GEORGE ELIOT

A LIFE

The latest life of George Eliot (nÇe Mary Ann Evans), from the biographer of her lifelong companion, G.H. Lewes, brings out this independent-minded woman's shyness and self-doubt as well as her formidable artistic achievements. The opportunity for the Eliot biography industry began when Evans's young widower, John Cross, extended her strong sense of privacy to destroying some of her personal papers and bowdlerizing excerpts from her letters and journals for his respectful official life. This was not enough to stop the rumors and speculation that had begun after Evans made herself notorious by living with the married Lewes well before ``George Eliot'' gained fame as the author of Scenes of Clerical Life and Adam Bede. In the search for the real George Eliot, Ashton (English/University College, London) adds her understated version of Evans's life to the several of the last ten years, the most recent being Frederick Karl's magisterial 1995 volume. Ashton moves swiftly through Evans's life, bringing her up from Midlands provincialism to intellectual cosmopolitanism, without dwelling too long on the religious and personal crises in her life. Evans's break with her family and friends, first over her faith, then over her relations with Lewes, seem especially muted, but the novelist herself always maintained a stoic front in her personal life. Like Evans, Ashton is more at home with intellectual matters, such as her interest in Goethe (and his influence on her), her early journalism for the Westminster Review, and, of course, her novels. Ashton, editor of the Penguin Middlemarch, does her best work in drawing out Evans's perspective from her plots and characterizations. If Gladstone called the first Eliot biography ``a Reticence in three volumes,'' Ashton's is an Admiration in one volume—but a readable and informed one at least. (16 pages b&w photos & illustrations)

Pub Date: May 1, 1997

ISBN: 0-713-99194-1

Page Count: 465

Publisher: Viking

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 15, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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