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VICTORIAN BLOOMSBURY

Plenty of good material, but this unfocused text will be of interest mainly to scholars.

A portrait of London’s famous intellectual neighborhood before Virginia Woolf and her friends moved in.

“It was in the nineteenth century that [Bloomsbury] acquired its distinctive, important, and above all progressive role in the life of both London and the nation,” writes Ashton (English Language and Literature/University College London; 142 Strand: A Radical Address in Victorian London, 2006, etc.), a good point that she makes as repetitiously as she does every other point in this informative but dull text. Although the British Museum had been located in Bloomsbury since it opened in 1759, the story of Victorian Bloomsbury begins in the 1820s with the construction of a grand new building for the museum and with the establishment of the University of London, designed to offer higher education at prices more affordable than those of Oxford and Cambridge and without the religious test that prevented non-Anglicans from attending Oxbridge. Now known as University College London, the school was attacked from the start as a hotbed of godless radicalism. Bloomsbury was indeed an important center for Victorian liberalism, home to institutions designed to educate women, members of the working class and young children, as well as to nonconformist religious institutions and one of the city’s first settlement houses. The author’s claim that “from the eighteenth century onwards Bloomsbury was central to medical progress” seems more dubious, something of an excuse to include a history of the University College Hospital. Yes, the hospital was the site of the first use of anesthesia in Europe, but there is more here about the ins and outs of its personnel than seems necessary. Victorian Bloomsbury is a mildly specious catchall that muddies the particulars of the book one senses Ashton really wanted to write: a history of University College London.

Plenty of good material, but this unfocused text will be of interest mainly to scholars.

Pub Date: Nov. 27, 2012

ISBN: 978-0-300-15447-4

Page Count: 400

Publisher: Yale Univ.

Review Posted Online: Sept. 9, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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