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ONE HOT SUMMER

DICKENS, DARWIN, DISRAELI, AND THE GREAT STINK OF 1858

History lite, but an agreeable diversion for undemanding general readers.

A snapshot of Victorian London during a sweltering season rife with scandals and smells.

The “great stink” came from the Thames, into which the city had unwisely been dumping untreated sewage for years. It reached crisis proportions in June 1858, “either the hottest or the second-hottest month on record,” as the temperature peaked at over 100 degrees. The Thames Purification Bill, which laid down broad financial and administrative outlines for cleaning up the river, was one of several controversial acts skillfully maneuvered through a fractious Parliament that summer by Benjamin Disraeli, flagged in the book’s subtitle along with Charles Dickens and Charles Darwin as the putative co-subjects of this rambling narrative by Ashton (Emeritus, English Language and Literature/Univ. Coll. London; Victorian Bloomsbury, 2012, etc.). In fact, the scandal over Dickens’ public separation from his wife and the stir created by the first public reading of Darwin’s ideas on natural selection share space with numerous other topics, including a juicy divorce trial involving his wife’s racy diary; cabinet member Edward Bulwer Lytton’s attempt to dispose of his difficult wife by having her involuntarily confined to an asylum; and a contretemps at the Garrick Club that resulted in the bitter estrangement of Dickens and fellow novelist William Thackeray. Ashton favors a highly episodic approach she calls “microhistory,” which seems to mean rehashing the minute particulars of contemporary periodicals now available digitally; it “can uncover hitherto hidden connections, patterns, and structures,” she asserts, but readers may feel it mostly serves as justification for the author to skip among a plethora of not-particularly-related topics, taking an impressionistic approach to chronology that does not make for clarity. Still, her rather sloppy text is partly redeemed by vivid character sketches and a breezy writing style.

History lite, but an agreeable diversion for undemanding general readers.

Pub Date: July 18, 2017

ISBN: 978-0-300-22726-0

Page Count: 352

Publisher: Yale Univ.

Review Posted Online: Aug. 26, 2017

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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