Despite rather superficial characters and some long-winded window dressing, a resonant and insightful novel.



Now that she is confronted with losing them, a middle-aged woman strives to finally reconcile her conflicting emotions toward her adoptive family.

Constance was named after the London street where she was found, a newborn hours old, under a hedge with only an earring as a memento of the mother who abandoned her. Both her looks (dark and wiry) and musical talent make her feel out of place in her family of plump, blue-eyed blonds. But she has no inkling of her origins until a callous cousin reveals them at the funeral of her beloved parent, Tony. Constance was, it appears, adopted by Tony and Hilda because they feared a second biological child might be deaf, like Constance’s older sister, Jeanette. The relationship between the two sisters has always been prickly, not merely due to sibling rivalry, but also to Constance’s tenacious attraction (requited as we shall see) to Jeanette’s husband, Bill. Weaving between past and present instances of family alienation, we learn that Constance has prospered as a composer for advertising and television and that she fled London for Bali years before after a brief, intense affair with Bill was exposed. The sisters have been definitively estranged since a wrenching encounter at the time of Hilda’s death. But now Jeanette emails Constance to inform her that she is dying of cancer and that it is time for a final reckoning. In a subplot that meshes gracefully, Roxana, newly arrived in London from Uzbekistan, is fleeing political unrest that has claimed the life of her brother. She’s determined to become an “English girl” even if right now her sole source of income is lap dancing. When she meets Noah, Bill and Jeanette’s 20-something son, Roxana’s life will intertwine with Constance’s in ways that shed light on the dislocation of both women. Constance’s belated investigation into her birth circumstances adds suspense to an otherwise meandering and leisurely narrative.

Despite rather superficial characters and some long-winded window dressing, a resonant and insightful novel.

Pub Date: Aug. 29, 2013

ISBN: 978-1-4683-0264-6

Page Count: 464

Publisher: Overlook

Review Posted Online: July 7, 2013

Kirkus Reviews Issue: July 15, 2013

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A clever, romantic, sexy love story.

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The much-loved royal romance genre gets a fun and refreshing update in McQuiston’s debut.

Alex Claremont-Diaz, son of the American President Ellen Claremont, knows one thing for sure: He hates Henry, the British prince to whom he is always compared. He lives for their verbal sparring matches, but when one of their fights at a royal wedding goes a bit too far, they end up falling into a wedding cake and making tabloid headlines. An international scandal could ruin Alex’s mother’s chances for re-election, so it’s time for damage control. The plan? Alex and Henry must pretend to be best friends, giving the tabloids pictures of their bromance and neutralizing the threat to Ellen's presidency. But after a few photo ops with Henry, Alex starts to realize that the passionate anger he feels toward him might be a cover for regular old passion. There are, naturally, a million roadblocks between their first kiss and their happily-ever-after—how can American political royalty and actual British royalty ever be together? How can they navigate being open about their sexualities (Alex is bisexual; Henry is gay) in their very public and very scrutinized roles? Alex and Henry must decide if they’ll risk their futures, their families, and their careers to take a chance on happiness. Although the story’s premise might be a fantasy—it takes place in a world in which a divorced-mom Texan Democrat won the 2016 election—the emotions are all real. The love affair between Alex and Henry is intense and romantic, made all the more so by the inclusion of their poetic emails that manage to be both funny and steamy. McQuiston’s strength is in dialogue; her characters speak in hilarious rapid-fire bursts with plenty of “likes,” “ums,” creative punctuation, and pop-culture references, sounding like smarter, funnier versions of real people. Although Alex and Henry’s relationship is the heart of the story, their friends and family members are all rich, well-drawn characters, and their respective worlds feel both realistic and larger-than-life.

A clever, romantic, sexy love story.

Pub Date: June 4, 2019

ISBN: 978-1-250-31677-6

Page Count: 432

Publisher: St. Martin's Griffin

Review Posted Online: March 4, 2019

Kirkus Reviews Issue: March 15, 2019

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Another success for the publishing phenom.


An abused boy fights back, escapes, then returns as an attorney to his beloved hometown, but just as he’s falling in love with a transplanted landscaper, a series of attacks from shadowy enemies jeopardizes their happiness.

“From the outside, the house in Lakeview Terrace looked perfect.” Which of course means that it wasn't. We're introduced to the horrifying Dr. Graham Bigelow, who beats his wife and, increasingly as the boy gets older, his son, Zane. On the night of Zane’s prom, a particularly savage attack puts him and his sister in the hospital, and his father blames Zane, landing him in jail. Then his sister stands up for him, enlisting the aid of their aunt, and everything changes, mainly due to Zane’s secret diaries. Nearly 20 years later, Zane leaves a successful career as a lawyer to return to Lakeview, where his aunt and sister live with their families, deciding to hang a shingle as a small-town lawyer. Then he meets Darby McCray, the landscaper who’s recently relocated and taken the town by storm, starting with the transformation of his family’s rental bungalows. The two are instantly intrigued by each other, but they move slowly into a relationship neither is looking for. Darby has a violent past of her own, so she is more than willing to take on the risk of antagonizing a boorish local family when she and Zane help an abused wife. Suddenly Zane and Darby face one attack after another, and even as they grow ever closer under the pressure, the dangers become more insidious. Roberts’ latest title feels a little long and the story is slightly cumbersome, but her greatest strength is in making the reader feel connected to her characters, so “unnecessary details” can also charm and engage.

Another success for the publishing phenom.

Pub Date: July 9, 2019

ISBN: 978-1-250-20709-8

Page Count: 448

Publisher: St. Martin's

Review Posted Online: April 14, 2019

Kirkus Reviews Issue: May 1, 2019

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