Although the narrative drags in spots, and Nair’s anticlimactic investigation is less compelling than Nerys’ adventures,...
An intricately woven shawl is both memento and metaphor in Thomas’ meditative transgenerational tale.
In Wales, after the death of her father, Mair finds among his effects a finely crafted multicolored pashmina shawl, which her grandmother Nerys, who died before Mair’s birth, acquired during her days as a Presbyterian missionary in Kashmir. The origins of the shawl and the lock of hair folded in it must hold the key to Nerys’ veiled past, Mair assumes, and so she journeys to the Kashmiri town of Srinagar where Nerys lived during World War II. The story alternates between Mair’s present travels and Nerys’ Srinigar sojourn. Nerys’ straight-laced husband, Evan, is away preaching, and Nerys awaits his return in a houseboat owned by fellow British expats, Myrtle and Archie. Nerys and Myrtle are drawn into the dilemma of a young Englishwoman, Caroline, whose marriage is celibate due to her husband’s closeted homosexuality. Caroline has had a forbidden affair with Ravi, an Indian nobleman, and is pregnant. Myrtle finds an ingenious way to hide the pregnancy from the insular, scandal-attuned European community, and from Ravi. Nerys, also love-starved thanks to Evan’s prudery, has a joyfully adulterous affair with a Swiss mountaineer and magician, Rainer, who helps her rescue the children of a dishonored and destitute woman who made a Kani shawl very like the one Mair found. (The prosperous but labor-intensive cottage industry of Kani shawls began, before WWII, to lose out to factory-made imitations, impoverishing the true practitioners.) When Mair encounters nonagenarian Caroline in Srinigar, she is now very close to uncovering all the braided and colorful secrets the shawl represents. The atmospheric detail brings the culture and gorgeous scenery of Kashmir to vivid life while also hinting at the political and religious strife that will soon overcome the region as India gains its independence.
Although the narrative drags in spots, and Nair’s anticlimactic investigation is less compelling than Nerys’ adventures, this is a finely wrought story of emotional and geographical displacement.Pub Date: Jan. 10, 2013
ISBN: 978-1-4683-0246-2
Page Count: 480
Publisher: Overlook
Review Posted Online: Oct. 14, 2012
Kirkus Reviews Issue: Nov. 1, 2012
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)
Pub Date: March 31, 1999
ISBN: 0-609-60249-7
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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