A claustrophobic and riveting psychological novel, the first English translation of a prizewinning Norwegian writer whose terse fiction has—perhaps inevitably—been compared to that of his great countryman Knut Hamsun. First published in 1987, this is the story of Jon, a withdrawn and apparently feebleminded young man who lives alone with his divorced elder sister on an island not far from the Danish mainland. Jon works first for a parsimonious neighbor and then for a company building an aqueduct and piping water to his embryonic ``community.'' But Jon's real life is enigmatically and disturbingly interior (``He was a sick man who lived in a sheltered world, among people who said they desired his best''). Jacobsen skillfully juxtaposes the secrecy and dissembling that are Jon's only defenses against the lies he tells himself and the ``visions'' he experiences. We're not sure until the final pages whether the disappeared Lisa, the companion of Jon's youth whom he's never stopped loving, did, as was reported, go to Copenhagen to become a ballet dancer—or whether Jon's insistence that he saw two men dumping a body into a lake explains her long absence. The possibilities are teasingly explored in a long, fascinating denouement in which police inspector Hermansen—a Javert to Jon's Valjean—patiently stirs up long-buried memories, and puts into orderly narrative form information previously given us only as fragments filtered through Jon's imperfect understanding. It's beautifully done, and the drama is significantly heightened by an accomplished translation that effectively sustains a powerful mood of uncertainty and hesitancy—the characteristics that happen to be the essential ingredients of its protagonist's inchoate personality. A superbly constructed thriller, and a memorable characterization of a man who scarcely knows himself whether he's hero, villain, or victim.
Pub Date: June 1, 1997
ISBN: 0-9645238-1-7
Page Count: 189
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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