Stories from newcomer Parvin give a feel for the backwoods life of mountain and forest in far northern California, but his characters' credibility is often less compelling than the wild places where they live. The title story opens with a ring of the familiar (and through ambitiousness becomes symbol-crowded) as an erstwhile lumberjack, now one-armed and a hermit, trains a 16-year-old boy to pitch for the big leagues, using rocks for balls and a tree for home plate. Parvin's best, its characters the most genuine and unconventionalized, is ``Darkness Runs,'' about a college-educated young man with some Wintu blood (from his full-blooded grandmother) who tries against odds to keep a health- and social-services center open and running in the poverty-stricken backcountry. In spite of flashes of descriptive wizardry, though, other pieces are inhabited increasingly by ready-made characters who'd be at home in television drama. In ``Smoke,'' another backwoods hermit and half- unbalanced Vietnam vet continues growing marijuana because he can't think what else to do; while in ``Ice the Color of Sky,'' possibly the most interesting of the remaining stories, sibling rivalry between two brothers ends only with the death of one—after a 26- year separation. A gay game warden loves another man for years but has to stay closeted (``Trapline''), while in ``May,'' a retarded woman ekes out a life as a hard laborer and at last, physically beaten by a man one time too many, becomes a killer. ``It's Me Again,'' however (a second marriage falls apart almost immediately), and ``Fish Story'' (an ex-white-collar criminal returns to nature with his lover) are stories desperate for real psychology in their central characters, a lack slightly less true of ``The Ames Coil,'' a story colorful in setting about a woman who abandons her retarded child. Stories, in all, waiting to become as real in their people as they are in their setting.
Pub Date: Jan. 1, 1997
ISBN: 0-8118-1435-1
Page Count: 192
Publisher: Chronicle Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1996
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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