A coming-of-age tale that bridges cultural gaps with sincerity and laughs.
In this debut novel, a white suburban teenager runs a car detailing service in 1960s California, finding among his employees a mentor in a charismatic, Southern black man.
Steven Reilly’s home life is a struggle—his mother is all but rendered inert by mental illness, while his taskmaster father demands that, despite his young age, he pay rent to continue living at home. Steven takes over a company his older brother started, cleaning cars for dealerships around smoggy Los Angeles. To help him run the business, he hires Herb Jackson, a middle-aged African-American from the Deep South, wise in the ways of the world and eager for a job. A strange relationship develops with Steven as employer and Herb as adviser, drawing the younger man out of his shell while introducing him to the other cultures of the eclectic characters who join the business. They range from the geriatric polish-expert Speedy Dave to the potbellied West Virginian Andrew Calhoun, who brings his entire Appalachian clan, from his two sons to his mother-in-law, to work when necessary. But Herb, while principled, is far from perfect, and his gambling problem will soon lead the members of the car wash’s patchwork family into conflict with the dangerous, ascot-wearing, slick-haired bookie called “The Roach.” Heinz’s tale is presented in the form of a memoir, with its colorful cast of characters based on equally outlandish individuals from the author’s past and many of its events pulled from his own experiences dealing with cars. Motor enthusiasts will find many classic vehicles to wax nostalgic over, while the conversations that happen within these autos among Steven, Herb, and the others, complete with tall tales about chasing “poosy,” are always entertaining. The book’s commitment to rendering all the dialects of the wildly different characters is surprisingly smooth though somewhat problematic: accents are only affected by players who are lower-class or unconventionally educated. Race is a hot topic, particularly as it concerns Steven’s evolving awareness of the concept. But it does feel slightly underdeveloped, as the novel itself admits that the civil rights movement is just starting to make waves on the West Coast at the time the story is set.
A coming-of-age tale that bridges cultural gaps with sincerity and laughs.Pub Date: June 14, 2017
ISBN: 978-1-5246-9614-6
Page Count: 192
Publisher: AuthorHouse
Review Posted Online: July 13, 2017
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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