Lovingly written, historically rich and compassionate to all sides of the turmoil, this tale is also frustratingly distant,...
Sri Lanka erupted into violence in the 1980s, with people identifying themselves as Tamil or Sinhalese, Hindu or Buddhist, Burgher or Muslim—the conflicts brewed over language policies, territories and curfews.
Against this backdrop of sociopolitical unrest, Freeman (A Disobedient Girl, 2009) sets her second novel. The inhabitants of Sal Mal Lane, like a constellation of stars, orbit around the Herath family, whose house is in the middle of the street and whose matriarch embraces the songs and customs of many religions. A devout Buddhist, she nonetheless teaches her children to sing Christian hymns in four-part harmony. Gravity draws first the attention of Mr. Niles, who discerns a troubled soul through Nihil’s uncertain voice; then Sonna Bolling, a bully and political thug-in-waiting; then the Silvas, whose own matriarch embraces every bias and prejudice; and later Raju, whose ugly face belies his lovely heart. Utterly devoted to his younger sister, Devi, Nihil negotiates the world of Sal Mal Lane and beyond, learning about Mr. Niles’ previous war experience, which has left him chastened, aware that racial distinctions blur, and frightened to witness the rising turmoil. Slowly, the tensions ratchet up. Sonna joins an anti-Tamil gang, and violence intrudes into everyone’s lives. Yet, the event that brings everyone to their knees has nothing to do with Tamil-Sinhalese tensions and everything to do with the pointless loss of innocent life. Freeman establishes her narrator in the prologue as the air, the road, the dreams that bind her characters together. The technique may weave the characters more closely, but it also distances the narrator and the reader from woes that befall Nihil, Devi, Sonna, Raju and their families.
Lovingly written, historically rich and compassionate to all sides of the turmoil, this tale is also frustratingly distant, leaving the reader sympathetic but not fully engaged.Pub Date: May 14, 2013
ISBN: 978-1-55597-642-2
Page Count: 336
Publisher: Graywolf
Review Posted Online: Feb. 3, 2013
Kirkus Reviews Issue: Feb. 15, 2013
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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