by Russell Freedman & illustrated by Karl Bodmer ‧ RELEASE DATE: April 15, 1992
In 1833, a German prince, Maximilian of Wied (1782-1867), hired the young Swiss artist Karl Bodmer (1809-93) and set out with him to study Native Americans. They wintered with the Mandans in what is now North Dakota; Maximilian spent the next four years editing his extensive journals, producing a book illustrated with engravings that Bodmer made from his own paintings (which were then sent to Wied, where they stayed until 1962; they're now in a museum in Omaha). Quoting extensively from Maximilian's account, Freedman describes the journey and, especially, the Mandans and Hidatsas as Maximilian found them: their customs, artifacts, social structure, and the individuals who became their close friends. Bodmer's paintings and sketches—landscapes, portraits, and active scenes—appear on almost every double spread, occasionally varied with his engravings or other illustrations, e.g., self-portraits by Mandan friends who were interested in Bodmer's technique. The book closes with the Indians' later history (these tribes were devastated by smallpox in 1837) and five "Places to Visit." As he has clone so often, most recently in The Wright Brothers (1992 Newbery Honor), Freedman combines a lucid, gracefully written, impeccably authentic text with beautifully chosen historical illustrations in a handsome and fascinating book; the result here is especially compelling because the material will be new to most readers. Another splendid achievement. (Nonfiction. 10+)
Pub Date: April 15, 1992
ISBN: 0-8234-0930-9
Page Count: 88
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1992
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by Russell Freedman ; illustrated by William Low
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by Lois Lowry ; illustrated by Kenard Pak ‧ RELEASE DATE: April 7, 2020
A beautiful, powerful reflection on a tragic history.
In spare verse, Lowry reflects on moments in her childhood, including the bombings of Pearl Harbor and Hiroshima.
When she was a child, Lowry played at Waikiki Beach with her grandmother while her father filmed. In the old home movie, the USS Arizona appears through the mist on the horizon. Looking back at her childhood in Hawaii and then Japan, Lowry reflects on the bombings that began and ended a war and how they affected and connected everyone involved. In Part 1, she shares the lives and actions of sailors at Pearl Harbor. Part 2 is stories of civilians in Hiroshima affected by the bombing. Part 3 presents her own experience as an American in Japan shortly after the war ended. The poems bring the haunting human scale of war to the forefront, like the Christmas cards a sailor sent days before he died or the 4-year-old who was buried with his red tricycle after Hiroshima. All the personal stories—of sailors, civilians, and Lowry herself—are grounding. There is heartbreak and hope, reminding readers to reflect on the past to create a more peaceful future. Lowry uses a variety of poetry styles, identifying some, such as triolet and haiku. Pak’s graphite illustrations are like still shots of history, adding to the emotion and somber feeling. He includes some sailors of color among the mostly white U.S. forces; Lowry is white.
A beautiful, powerful reflection on a tragic history. (author’s note, bibliography) (Memoir/poetry. 10-14)Pub Date: April 7, 2020
ISBN: 978-0-358-12940-0
Page Count: 80
Publisher: HMH Books
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Lois Lowry ; illustrated by Jonathan Stroh
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PROFILES
by Saundra Mitchell ‧ RELEASE DATE: May 10, 2016
A breezy, bustling bucketful of courageous acts and eye-popping feats.
Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?
Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.
A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)Pub Date: May 10, 2016
ISBN: 978-0-14-751813-2
Page Count: 320
Publisher: Puffin
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
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