In 1833, a German prince, Maximilian of Wied (1782-1867), hired the young Swiss artist Karl Bodmer (1809-93) and set out with him to study Native Americans. They wintered with the Mandans in what is now North Dakota; Maximilian spent the next four years editing his extensive journals, producing a book illustrated with engravings that Bodmer made from his own paintings (which were then sent to Wied, where they stayed until 1962; they're now in a museum in Omaha). Quoting extensively from Maximilian's account, Freedman describes the journey and, especially, the Mandans and Hidatsas as Maximilian found them: their customs, artifacts, social structure, and the individuals who became their close friends. Bodmer's paintings and sketches—landscapes, portraits, and active scenes—appear on almost every double spread, occasionally varied with his engravings or other illustrations, e.g., self-portraits by Mandan friends who were interested in Bodmer's technique. The book closes with the Indians' later history (these tribes were devastated by smallpox in 1837) and five "Places to Visit." As he has clone so often, most recently in The Wright Brothers (1992 Newbery Honor), Freedman combines a lucid, gracefully written, impeccably authentic text with beautifully chosen historical illustrations in a handsome and fascinating book; the result here is especially compelling because the material will be new to most readers. Another splendid achievement. (Nonfiction. 10+)
Pub Date: April 15, 1992
ISBN: 0-8234-0930-9
Page Count: 88
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1992
A breezy, bustling bucketful of courageous acts and eye-popping feats.
Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?
Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.
A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)Pub Date: May 10, 2016
ISBN: 978-0-14-751813-2
Page Count: 320
Publisher: Puffin
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
Humble, endearing and utterly easy to relate to; don’t miss this one.
The charismatic creator of the Eisner-nominated Amelia Rules! series recounts his beginnings as a cartoonist.
From the very first panel, Gownley’s graphic memoir is refreshingly different. He’s not the archetypal nerd, and he doesn’t retreat to draw due to feelings of loneliness or isolation. Gownley seems to be a smart kid and a talented athlete, and he has a loyal group of friends and a girlfriend. After he falls ill, first with chicken pox and then pneumonia, he falls behind in school and loses his head-of-the-class standing—a condition he is determined to reverse. A long-standing love of comics leads him to write his own, though his first attempt is shot down by his best friend, who suggests he should instead write a comic about their group. He does, and it’s an instant sensation. Gownley’s story is wonderful; his small-town life is so vividly evinced, it’s difficult to not get lost in it. While readers will certainly pick up on the nostalgia, it should be refreshing—if not completely alien—for younger readers to see teens interacting without texting, instead using phones with cords. Eagle-eyed readers will also be able to see the beginnings of his well-loved books about Amelia. He includes an author’s note that shouldn’t be overlooked—just be sure to keep the tissues handy.
Humble, endearing and utterly easy to relate to; don’t miss this one. (author’s note) (Graphic memoir. 10 & up)Pub Date: Feb. 25, 2014
ISBN: 978-0-545-45346-2
Page Count: 240
Publisher: Graphix/Scholastic
Review Posted Online: Nov. 12, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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