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SLAUGHTER MUSIC

Whether or not he's related to Bill (Club, above), Russell James is equally a connoisseur of British lowlife. Here, he spins the sentimental education of Tim Hawk, a vicious blank slate out of Clockwork Orange whose only two emotions are faithfulness to his boss, mobster Al Kazan, and a love of Handel. From the moment he begins to plan his first kill—rival gangster Clive Darren- -Hawk wants nothing but what's good for Kazan; but things start to unravel when he can't help leaving an untimely witness alive, and Darren's widow turns out to be a more active heiress than anybody could have expected. Meanwhile, Kazan, besotted with Irena, the child-wife he's brought back from Ukraine, doesn't notice that his soldiers and power are slipping away, or that his wife is even more attached to Hawk than to him. The characters revealed in the flash of bullets and Guy Fawkes fireworks are so elemental, so flatly devoid of complexity, that it takes quite a while to realize that James (Payback, 1993, etc.) is writing a study of loyalty, a quirky British remake of The Glass Key. If Russell and Bill James aren't related, they should stay far apart from each other. If they are, their family reunions must be worthy of those of the other James brothers, Jesse and Frank.

Pub Date: May 19, 1995

ISBN: 0-88150-333-9

Page Count: 296

Publisher: Countryman

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1995

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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