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TRAVELING HEAVY

A MEMOIR IN BETWEEN JOURNEYS

A heartfelt witness to the changing political and emotional landscape of the Cuban-American experience.

A Cuban-born academic re-creates a moving emotional journey from Cuba to America.

A cultural anthropologist whose first love was writing poetry and fiction, Behar (Anthropology/Univ. of Michigan; An Island Called Home: Returning to Jewish Cuba, 2007, etc.) is a stylish writer. Her probings about her complicated Jewish Cuban ancestry and family’s immigration to America mine compelling, relevant issues about identity and belonging. Her love of travel first took root at age 5 with her emigration from Havana with her mother, father and small brother in 1962. The family settled in the Ashkenazi section of Forest Hills, Queens, making ends meet selling “fabric, envelopes and shoes.” The young author was thrown, sink or swim, into first-grade, though she knew no English. Bookish and assertive, Behar wanted to pursue her education despite the injunctions imposed by her authoritarian father, and she eventually became a cultural anthropologist, able to use her Spanish for field work among farmers in Spain and Mexico. Her essays meander among these decisive events of her life, circling always back to the place where she began and longed to return: Cuba. She was able to return to her homeland in various capacities over the years, especially as a visiting academic. In “The Freedom to Travel Anywhere in the World,” Behar delineates the glaring discrepancy between her own privileged comings and goings from Michigan, with suitcases laden with plentiful American products, and the dire shortages of and restrictions on her friends and family in Cuba. Yet always, touchingly, she is accorded by her compatriots “political innocence, [and] welcomed with tenderness.”

A heartfelt witness to the changing political and emotional landscape of the Cuban-American experience.

Pub Date: April 25, 2013

ISBN: 978-0-8223-5467-3

Page Count: 240

Publisher: Duke Univ.

Review Posted Online: Jan. 13, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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