Witty and haunting, the book blurs the boundaries between past and present, between who we are and the stories we tell.

NINE FOLDS MAKE A PAPER SWAN

In a boldly ambitious novel of family and belonging, Gilligan chronicles the history of Jewish immigrants in Ireland by weaving together three interconnected stories spanning more than a century.

It’s 1901, and Ruth Greenberg has accidentally immigrated to Ireland with her family, the Lithuanians having misheard “Cork” for “New York.” Her father, Moshe, joyful and tragic, is a whimsical storyteller, a would-be playwright surviving only on increasingly heartbreaking hope. Turn the page, and it’s 1958, and young Shem Sweeney is in a mental institution, having stopped speaking at his own bar mitzvah, unable to utter a word since. He adores his mother with obsessive intensity, though in his silence, he can communicate with her only through flashcards. Stored away at Montague House, the flashcards are banned; instead, Shem spends his days transcribing the memories of his roommate, Alf—the only other Jew in the place—and dreaming of his mother. The novel skips forward again: it’s 2011, and Aisling Creedon, an Irish journalist living in London, is on her way to celebrate Hanukkah with her Jewish boyfriend Noah’s parents—a fraught occasion in its own right even before he gives her his gift. He's pale as she unwraps it: A Voyage of Discovery—Considering a Judaic Conversion?, by one Rabbi Briscoe, the only one of its kind ever printed in Ireland. The novel cycles through these stories, moving them forward, by days or by years. All three stories—more intertwined than any of the participants know—are gripping, nuanced, and clever, occupying a rich and hazy space between realism and metaphor. The novel is not entirely even—some pieces come into focus more clearly than others—but it is wholly original, challenging and tender at once.

Witty and haunting, the book blurs the boundaries between past and present, between who we are and the stories we tell.

Pub Date: Jan. 24, 2017

ISBN: 978-1-941040-49-2

Page Count: 352

Publisher: Tin House

Review Posted Online: Oct. 26, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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Still, a respectful and absorbing page-turner.

THE NIGHTINGALE

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 20, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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