. . ."in a poem you make your point with lemons-on-fire." In a review, even a Kirkus review, it is necessary to be more prosaically straightforward. What, then, given this recycled collection of items as disparate as the elements in any one of them, are we to make of Ruth Krauss? There's a shade of '60s twee (admittedly staked out by Krauss in the '50s) to the best of her stuff; and at worst it verges on airy nothings as in "What a Fine Day," when stripped of the original music and Remy Charlip pictures. . . or treads a blurry line around the kingdom of cute baby talk ("Making Sandwich Kisses") or cotton-candy fancies ("The Doll in Pink"). Whimsy sprouts like button mushrooms and threatens perpetually to cloy, and sometimes does. How else can one respond to "The Fortune-Teller Flower?" But then, who can keep a straight face through "50,000 Dogwood Trees at Valley Forge". . . or (let's admit it) "Spring Song: Winnie-the-Pooh and William Shakespeare?" Or fail to be disarmed by the flashes of wanton incongruity in "Play I" (with pineapples and spies) or "There's a Little Ambiguity Over There Among the Bluebells?" Much of the kid stuff was better served in separate, picture-hook slices, and ". . . but for whom" is the obvious cavil here, with all the little kisses and wishes and horsies in their avant-garde clothing scattered in among the weary rue of "If Only," the allusions to Shakespeare's married-man cuckoo, and the lines from Gertrude Stein and Molly Bloom. The publishers designate this for "all ages," which is often an optimistic 'alternative to throwing up their hands. But if this doesn't belong everywhere, or even anywhere in particular, you'd better make a place for it somewhere over there among the bluebells. Someone's likely to be lit up by those lemons-on-fire and might even take a heady dive into that "lake in the middle of a sentence.
Pub Date: Aug. 10, 1981
ISBN: 0688005985
Page Count: 110
Publisher: Greenwillow Books
Review Posted Online: Oct. 24, 2011
Kirkus Reviews Issue: Aug. 1, 1981
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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