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MR. MOONBEAM AND THE HALLOWEEN CRYSTAL

A tale with plenty of spooky trappings and valuable lessons for young people.

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In this debut middle-grade adventure, a young witch learns the value of teamwork and sacrifice from his favorite teacher.

Elliott Keene is a third grader in the small, nonmagical town of Wolf’s End. His parents, Greta and Christian, are witches from a magical place called Moonstone. They all live in the ordinary, human world under orders from Enchantra, Moonstone’s ruler, so that they can protect average people from magical harm. Sloan Moonbeam, another guardian witch, is Elliott’s teacher. He begins to suspect that Elliott is psychic, and he warns the boy that he must keep his powers secret, even from his best friend, Lucas. Elliott’s life grows more complicated when Mr. Moonbeam and his parents learn from Syballine, another guardian, that Noir, ruler of Moonstone’s Dark Lands, is hunting for the Halloween crystal—an artifact that would allow him to unleash a horde of monsters and potentially rule both Moonstone and the nonmagical world. Thankfully, Noir can’t enter Wolf’s End, but he has his sights set on kidnapping Syballine’s talented daughter, Sabrina. Mr. Moonbeam takes Sabrina into his care, placing her in his classroom, while the guardians hide the Halloween Crystal. Greta looks into the crystal and sees the Mossy Mansion on Rose Hill, so the magicians go there on a mission—but they seem to encounter Noir’s agents at every turn. Cowan’s middle-grade fantasy celebrates Halloween as both a colorful holiday and as a spiritual event; indeed, the plot revolves around stopping Noir on that night—a time when the “veil between the two worlds is paper thin.” Sabrina is a well-developed, egocentric character who notes that, “I’ve always gotten everything I’ve ever wanted.” But later, when Elliott complains about being an imperfect witch, his teacher says, “Nothing worthwhile comes easy,” a statement that remains valid beyond childhood. Cowan also engagingly reveres the seasons—especially fall: “Life is nature and nature is life.” A dazzling, creature-filled finale leaves possibilities open for further adventures.

A tale with plenty of spooky trappings and valuable lessons for young people.

Pub Date: Sept. 17, 2019

ISBN: 978-1-09-795277-9

Page Count: 176

Publisher: Self

Review Posted Online: Nov. 14, 2019

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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