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HUG CHICKENPENNY

THE PANEGYRIC OF AN ANOMALOUS CHILD

An orphan’s tale delivers a delightful combination of tones and is bound to leave readers both smiling and thoughtful.

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A novel examines the fascination, pity, and prejudice in an unusual child’s life as well as the challenges of dreaming outside the mold.

Hug Chickenpenny is a boy beset by misfortune and uncertainty. Born with a strange appearance—white hair, a stump of a left arm, a red eye, and a lumpy head—and orphaned from birth, he would seem to be in for a hard life. Although many at the orphanage look at him with sorrow or scorn, Hug nonetheless approaches the world with curiosity and optimism, looking past the petty slings and arrows of the harsher people around him and dreaming of exploration and adventure through rockets. But while some figures are sympathetic to Hug, like George Dodgett, a young employee at the orphanage, and a woman named Abigail Westinghouse, there are plenty of challenges to Hug’s positivity. These road blocks include people like Jennifer Kimberly, a cruel receptionist—and later, administrator—of the orphanage, and Dr. Hannersby, a scientist who studies “anomalies” like Hug and wishes to adopt him more as a pet and object of curiosity than a son. What follows is a complex, Dickensian tale of ambiguity and abnormality but, above all, hope. Zahler’s (A Congregation of Jackals, 2017, etc.) prose is solid, and the dialogue in particular shines, feeling natural without betraying the gothic style of the story. The characters are sometimes broad and archetypal, but that works in this sort of tale. They all have a certain edge, as even those with earnest affection for Hug can’t help but find some of his singular characteristics off-putting: “Something clicked and clacked behind the brunette, who then spun around to see what was happening. Hug was looking over his own back. His head was turned all the way around. Abigail shuddered.” Nevertheless, the narrative has a nonchalant tone that keeps the events from feeling excessively tragic even while they’re not overly sanitized. On the same note, the novel thankfully avoids depicting Hug as magical, presenting him as precocious without ascribing mysticism to disability. These are difficult balances to strike, and the book should be lauded for accomplishing that alone, even before getting to the charm and optimism that infuse the dark story.

An orphan’s tale delivers a delightful combination of tones and is bound to leave readers both smiling and thoughtful.

Pub Date: Jan. 23, 2018

ISBN: 978-1-946487-00-1

Page Count: 256

Publisher: Cinestate

Review Posted Online: Feb. 2, 2018

Kirkus Reviews Issue: April 1, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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