Compelling and well-researched, yet not quite relatable.
A fictionalized account of the Apostle Thomas’ travels following Jesus’ Crucifixion.
Villoth’s book, the first in a series, begins with the death of Thomas (here called “Thoma”) before flashing back to the Crucifixion of Christ (here called “Yeshua”) and Thoma’s subsequent journeys to preach the Gospel. An editor’s note reveals that the story has been reconstructed from scrolls found in the writer’s “ancestral house”: letters from Thomas to the Apostle Peter, called “Cephas” in the text. The use of Hebrew names for the characters can be confusing for readers trying to link the Hebrew names to their better-known biblical counterparts, but this choice lends authenticity to the story and helps maintain Villoth’s rich mood. The prose is voluptuous and imaginative, with sentences that twist and turn around the sights and smells of the ancient world as Thoma makes his way from Jerusalem to India: e.g., “…the tapestry of busy-ness being woven together by every living strand of muscle and sinew that was Damascus.” Plot-wise, the nature of Thoma’s relationship with his brother Yeshua is hinted at, though it never becomes abundantly clear. At one point, Thoma writes, “Yeshua betrayed us!...He who could mend bones, bestow sight, exorcise demons, he could not do that for us, at Golgotha?”; ultimately, though, readers never get a clear sense of Thoma’s emotional arc. The plot meanders somewhat, sometimes getting lost in the details, though it maintains a line of ancient mysticism that unifies Thoma’s experiences, including his encountering people of various faiths and discovering the ways early Christianity intersects. Clearly well-versed in the religious and political dimensions of the time, Villoth brings new insight into biblical territory, but these details can get in the way of plot and character development, which may turn off readers looking for a good story rather than a fictional take on biblical times.
Compelling and well-researched, yet not quite relatable.Pub Date: May 18, 2014
ISBN: 978-1499203462
Page Count: 324
Publisher: CreateSpace
Review Posted Online: Sept. 5, 2014
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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