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PRELIMINARIES

Truly a novel that will claim your heart.

From the late Israeli author (1916–2006), a novel short on plot and character, long on the Awareness of Things; first published in 1992 and now translated into English.

Herein fall the shadows of Joyce (A Portrait of the Artist as a Young Man), Faulkner (As I Lay Dying) and Woolf (The Waves), for, like those masters, Yizhar (Midnight Convoy and Other Stories, 1969, etc.) is preoccupied with the way the mind works, the way it apprehends objects and experiences the world. Given such a preoccupation with subjective states, it’s not surprising that the novel subordinates setting and plot to the contours of consciousness, and yet, over time, we gradually become aware of characters and of the space they inhabit. The novel consists of a series of long interior monologues, beginning with a child’s earliest memories of his father, a farmer and “tiller of the soil,” plowing a field in Palestine around the year 1917. His meditations on connection to family and to the land are interrupted by a vicious attack by wasps and by his father’s subsequent panicked attempts to get him medical attention. This movement from philosophical introspection to personal crisis provides the story’s rhythm. We learn most of the story through a series of concatenated monologues in which we move from the child’s initial terror to his awakening (and, to him, bewildering) sexual awareness in early adolescence. A major theme involves the narrator’s growing sense of place and his concern with renewal of the land. Early in life, he learns about despair: “This land is given to desperate people . . . to truly desperate people. And they all compete to see who is the most truly desperate,” but his ultimate epiphany is the sweet awareness that “everything here is provisional . . . and you bathe your heart in the certainty that everything will turn out well.”

Truly a novel that will claim your heart.

Pub Date: May 1, 2007

ISBN: 1-59264-190-3

Page Count: 302

Publisher: Toby Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2007

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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