Remarkable: hilariously nasty, morally driven, sweetly romantic. Poor Linda: Fritz is irresistible.
In an ambitious satire of post-9/11 America, the author of two previous legal thrillers (The Betrayal, 1998, etc.) manages to skewer our financial, political and social institutions with vicious glee while offering a nuanced portrait of his tragicomic hero (and supporting heroines).
Everything comes easily to handsome, laid-back Fritz Brubaker: beautiful wife, kids in private school, big house in fancy Boston suburb. Fritz cares more about skiing and sailing than about his job as Assistant Comptroller to the corporate conglomerate Playtime. But complaisance goeth before a fall. Playtime has been fudging its profit numbers and is headed for an Enron-style disaster for which no one in the company is willing to take responsibility. Fritz’s wife Linda, a high-powered, hardworking lawyer for whom nothing comes easily, has begun an affair with a fellow law partner out of exasperation with happy-go-lucky Fritz. Fritz’s spoiled son is having “issues” at his progressive private school. When a struggling stockbroker traces a short placed on Playtime to one Phineas Brubaker and sets off a selling frenzy, Fritz is arrested for insider trading. An aging Falstaffian senator, smarting over being snubbed by the President, who used to be his drinking buddy, gets wind of Playtime’s corporate shenanigans and calls for an investigation. Fritz’s testimony speeds both the senator’s and Playtime’s demise. Fritz’s own downfall and redemption (no reader will believe for a second that he committed the crime for which he serves his country-club-prison term) is set within the context of periodic flashbacks to his Econ. 101 class, where his professor devotes the semester to answering the question “What is value?” Full of moral outrage, Willett takes jabs at everything and everyone. Lawyers—Willett himself is one—and corporate CEOs get it the worst. Yet most of the human targets here are more foolish than evil. The one thoroughly unsympathetic villain is the e-mail device, the Blackberry. It gets its just reward.
Remarkable: hilariously nasty, morally driven, sweetly romantic. Poor Linda: Fritz is irresistible.Pub Date: Sept. 9, 2003
ISBN: 1-4000-6086-9
Page Count: 336
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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