by Sal Nudo ‧ RELEASE DATE: Jan. 1, 2018
A unique novella that offers a passionate, if somewhat incoherent, defense of quality journalism.
In a new book by Nudo (The Millionaire’s Cross, 2014, etc.), a man investigates a local publication run by staffers who may be more dangerous than they seem.
Seth Kesler, who works in advertising, is “the last of a dying breed” of people who still love reading high-quality print journalism. So he’s intrigued when he meets Cedrick, an eccentric yet friendly old-fashioned newspaper hawker, outside his office building one morning. The C-U Journal, a long-defunct daily serving the Champagne-Urbana region of Illinois, has recently been purchased by Richard W. Fields, a media mogul who’s buying up local papers across the country. Seth, disenchanted by the fact that shallow internet click-bait is replacing quality journalism across the United States, is initially pleased to read a real newspaper. But the publication’s standards decline rapidly, resulting in sensationalized, poorly written, and likely inaccurate stories that seem aimed to titillate rather than tell the truth. Just as disturbingly, Cedrick proves himself to be quite capable of violence when crossed; in broad daylight, he brutally attacks some disrespectful teens who later mysteriously disappear—and Seth worries that they may have met a worse fate. Aided by his wife, his co-worker, and a local journalism professor, Seth investigates Cedrick, Fields, and the shady group of characters who churn out the C-U Journal, which he begins to see as a destructive force in the community. As Seth becomes increasingly passionate about defending his cause, however, he realizes that the C-U Journal staff may be a threat to his life. This quick, readable novella’s enthusiastic advocacy of good journalism feels very relevant in today’s era of “fake news.” Seth’s alarm at his friends’ and family’s reliance on unreliable sources (such as trending Twitter terms) rings true, as does the fact that the C-U Journal becomes widely read for its calculated, salacious content rather than for quality reporting. The C-U Journal staffers are more like horror-movie characters than denizens of realistic fiction—they talk and act bizarrely, enact frequent violence with theatrical élan, and experience either delayed consequences for their actions or none at all; for instance, no one beside Seth seems to notice Cedrick’s aggressive public behavior toward the teens. Seth is so calm and reasonable that it’s hard to determine what kind of reality he shares with the C-U Journal people. Indeed, the text leaves some major questions unanswered: Why are the local police so incompetent at investigating crimes when the culprits seem obvious to a casual observer? Why would Seth, after suspecting murder and witnessing terrible violence by C-U Journal staffers, accept an invitation to enter their building unaccompanied? If Fields is meant to serve as a symbol of the evils of modern journalism, why does he refuse to publish online, where some of the worst journalism trends of the past few years have festered? Although this work is certainly an entertaining read, these plot uncertainties make its message a murky one.
A unique novella that offers a passionate, if somewhat incoherent, defense of quality journalism.Pub Date: Jan. 1, 2018
ISBN: 978-1-981783-28-1
Page Count: 166
Publisher: CreateSpace
Review Posted Online: March 20, 2018
Review Program: Kirkus Indie
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BOOK REVIEW
by Sal Nudo
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
BOOK REVIEW
by Paulo Coelho ; translated by Zoë Perry
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SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Kirkus Prize
winner
National Book Award Finalist
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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