by Sallie Bingham ‧ RELEASE DATE: June 1, 1993
Bingham's blistering, high-voltage portrait of a woman tantruming through a life-crisis-within-sexual-obsession lacks the icy control of the shrewd Small Victories (1992), but, still, her latest has a wayward fascination. The story begins at the clean-out auction of all the furnishings in Ann's upstate New York home, where she lived until five months ago with husband David and their three children. Now, divorce is in the works, and Ann is plotting for psychic space, planning this auction in order to rid herself of everything—even the children's possessions, except for one chosen item, must go- -that suggests dependency. There is a sickness in dependency and connection, and Ann (who narrates) declares, ``My roots have filled all the available space.'' Husband David, polite, decent and kind, is also slippery as an eel; he had offered accommodating sex but withheld his money. Meanwhile, Ann, change-hungry, savors an obsession. For some time she has been having an affair with neighbor Edwin—``the only man in the world who exists independently of my love and attention''—who earlier announced, ``No marriage. No divorce,'' as they'd settled down to their first earthshaker in a meadow. Edwin is married to Flora, an imposing, powerful housewife and mother and a friend to Ann. Yet Ann is desperate to be more than just a sex interlude. (Flora has told Ann that Edwin has affairs when he's ``bored.'') In the present, as the auction winds down, Ann gets the inevitable message from Edwin—and makes a (literally) flaming retort. Bingham's canny, acidulous portraiture gives point and clarity to what could have been (and comes dangerously close to being) a highly risible view of an odd lady—part Boadicea, part loon- -booming after her randy Heathcliff. Disappointing, in the light of Bingham's other work, but diverting.
Pub Date: June 1, 1993
ISBN: 1-877946-33-8
Page Count: 176
Publisher: Permanent Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1993
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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