by Sally Bedell Smith ‧ RELEASE DATE: Nov. 1, 1996
The riveting adventure of a red-haired country girl who became, in Smith's characterization, the last of the great courtesans and an internationally recognized diplomat. Pamela Harriman's life is the stuff of romance novels. The seductive heroine dallies with a series of rich and well-born lovers, including not only first husband Randolph Churchill, but American diplomat Averell Harriman, broadcasting legend Edward R. Murrow, millionaires Jock Whitney, Aly Khan, Gianni Agnelli, and Elie de Rothschild. Not the least of her admirers (but not her lover) was Winston Churchill, who was genuinely fond of his daughter-in-law. She in turn played on the Churchill name to bolster a brilliant career on the international social circuit, further enhanced by her marriage to American theatrical producer Leland Hayward. Widowed by Hayward, she married former lover Averell Harriman. After Harriman's death and with his legacy, she used her charm and social skills to become the ``den mother'' of the Democratic Party, earning an appointment as ambassador to France. Relying on many of the same sources but without the sour bite of Christopher Ogden's 1994 Harriman biography, Smith (In All His Glory: William S. Paley, 1990) gives us a portrait of a woman who has left many wounded in her wake (including her neglected son), but who has spent her life, as she wanted to, at the center of power and wealth. She brings Harriman's story up to the present, with a detailed portrait of her acrimonious feud with the other Harriman heirs. Attractive but not beautiful, charming but not witty or well educated, how did Pam do it? As many of her famous predecessors, like Pompadour and de Maintenon, did: With extraordinary determination and by catering to her man. Sure to ruffle the feathers of feminists, but a convincing depiction of an era not very long ago when the only route to the top for a woman of average ability and above-average ambition was in the wake of a man. (32 pages b&w photos, not seen). (First serial to Vanity Fair)
Pub Date: Nov. 1, 1996
ISBN: 0-684-80950-8
Page Count: 496
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1996
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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