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HEART AND SOUL

Soap opera with a lot of grating Long Island tough talk, all the way from its obnoxious heroine and utterly implausible hero.

Firefighter’s daughter wows ’em at Carnegie Hall, in the third from Mandel (Out of the Blue, 2000, etc.).

Bess Stallone’s distinctly unmusical and resoundingly working-class family prefers Perry Como to much of anything else, and they have no idea she’s a prodigy. Fortunately, a teacher recognizes Bess’s raw talent, and 11-year-old Bess is soon happily banging away on an old upright she dubs “Amadoofus” and dreaming of Julliard. Flash forward several years: her abusive father has been crippled fighting fires and is making his long-suffering family’s life hell. When, after one too many Chopin études, he rises from his wheelchair and takes an axe to poor old Amadoofus, Bess throws herself upon the shattered piano and sobs, but vows that her life at least will go on. Blessed with spectacular cleavage as well as musical talent, she bumps into French piano virtuoso David Montagnier, who’s fascinated by the emotional power of her playing. He teaches her the art of performing, and it’s not long before he and Bess are dazzling audiences all over the world, despite her stage fright. And they fall in love, too, despite David’s mood swings and Beethovenish brooding (no, he’s not deaf—just depressed). Alas, Bess miscarries the baby she longs for, and David plunges into the depths of despair, finally drowning himself in a convenient lake after leaving Bess a final performance of her favorite piece of music, sensitively recorded. Grieving Bess then visits David’s former partner in Europe, who reveals some not exactly compelling secrets about him. Sadder but wiser, Bess looks for solace in the brawny arms of her childhood friend Jake. . . .

Soap opera with a lot of grating Long Island tough talk, all the way from its obnoxious heroine and utterly implausible hero.

Pub Date: April 16, 2002

ISBN: 0-345-42892-7

Page Count: 288

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 15, 2002

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WITHOUT FAIL

From the Jack Reacher series , Vol. 6

Relentlessly suspenseful and unexpectedly timely: just the thing for Dick Cheney’s bedside reading wherever he’s keeping...

When the newly elected Vice President’s life is threatened, the Secret Service runs to nomadic soldier-of-fortune Jack Reacher (Echo Burning, 2001, etc.) in this razor-sharp update of The Day of the Jackal and In the Line of Fire that’s begging to be filmed.

Why Reacher? Because M.E. Froelich, head of the VP’s protection team, was once a colleague and lover of his late brother Joe, who’d impressed her with tales of Jack’s derring-do as an Army MP. Now Froelich and her Brooks Brothers–tailored boss Stuyvesant have been receiving a series of anonymous messages threatening the life of North Dakota Senator/Vice President–elect Brook Armstrong. Since the threats may be coming from within the Secret Service’s own ranks—if they aren’t, it’s hard to see how they’ve been getting delivered—they can’t afford an internal investigation. Hence the call to Reacher, who wastes no time in hooking up with his old friend Frances Neagley, another Army vet turned private eye, first to see whether he can figure out a way to assassinate Armstrong, then to head off whoever else is trying. It’s Reacher’s matter-of-fact gift to think of everything, from the most likely position a sniper would assume at Armstrong’s Thanksgiving visit to a homeless shelter to the telltale punctuation of one of the threats, and to pluck helpers from the tiny cast who can fill the remaining gaps because they aren’t idiots or stooges. And it’s Child’s gift to keep tightening the screws, even when nothing’s happening except the arrival of a series of unsigned letters, and to convey a sense of the blank impossibility of guarding any public figure from danger day after highly exposed day, and the dedication and heroism of the agents who take on this daunting job.

Relentlessly suspenseful and unexpectedly timely: just the thing for Dick Cheney’s bedside reading wherever he’s keeping himself these days.

Pub Date: May 1, 2001

ISBN: 0-399-14861-2

Page Count: 384

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2002

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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