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THE ENCHANTRESS OF FLORENCE

Rapturously poetic in places, very funny in others, yet the novel ultimately challenges both patience and comprehension.

Readers who succumb to the spell of Rushdie’s convoluted, cross-continental fable may find it enchanting; those with less patience could consider it interminable.

This is a very different sort of novel for Rushdie (Shalimar the Clown, 2005, etc.), partly based in Renaissance Italy and intensely researched (there are pages of entries listed in its bibliography), though themes of East and West, love and betrayal, religion and unbelief, sex and sex, are familiar from previous work. It’s plain that the author worked hard on this deliriously ambitious book, and so must the reader. Despite the title, there is more than one enchantress of Florence, and other key characters have multiple names and perhaps identities as well. Some characters might even be imaginary. The plot commences with the arrival of a blonde-haired vagabond who has traveled from his native Florence to deliver a message from the Queen of England to “the emperor Abdul-Fath Jalaluddin Muhammad…known since his childhood as Akbar, meaning ‘the great,’ and latterly, in spite of the tautology of it, as Akbar the Great, the great great one, great in his greatness, doubly great, so great that the repetition in his title was not only appropriate but necessary in order to express the gloriousness of his glory.” And so on. The man from the Christian West and the emperor of the Muslim East develop a strong bond, mainly through the stories spun by the former (in which he assumes multiple names and identities) to the latter. Yet at one point, even Akbar issues “[a] curse on all storytellers,” telling his visitor “You’re taking too long. . .You can’t draw this out forever...” Machiavelli and Medicis make their appearances, as the plot shifts to the impossibly beautiful seductress of the title, who also finds her way from Italy to the emperor, and who ultimately gives clues to her identity by explaining, “The Mirror’s daughter was the mirror of her mother and of the woman whose mirror the Mirror had been.”

Rapturously poetic in places, very funny in others, yet the novel ultimately challenges both patience and comprehension.

Pub Date: June 10, 2008

ISBN: 978-0-375-50433-4

Page Count: 358

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2008

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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