Beguiling and astonishing, wonderful and wondrous. Rushdie at his best.
“It’s a terrible thing when one speaks metaphorically and the metaphor turns into a literal truth.” So writes Rushdie (Joseph Anton: A Memoir, 2012, etc.) in one of his very best books, one whose governing metaphor can be about many terrible truths indeed.
Do the math, and Rushdie’s title turns into a different way of counting up to 1,001 nights. Small wonder that the first characters we encounter are an exceedingly wise philosopher named, thinly, Ibn Rushd, “the translator of Aristotle,” and an exceedingly beguiling supernatural being in the form of a girl of about 16 who harbors numerous secrets, not just that she’s Jewish in a place overrun with Islamic fundamentalists (and where it’s thus best to live as “Jews who could not say they were Jews”), but that she is, in fact, one of the jiniri, “shadow-women made of fireless smoke.” Got all that? In the span of, yes, 1,001 nights, Dunia gives birth to three broods of children who, being jinn, can do all sorts of cool things, such as fly about on magic carpets or slither hither and yon like snakes. Dunia is studiously irreligious, which is perhaps more dangerous than being Jewish, inclined to say of Ibn Rushd’s explanations of all the wonderful things God can do, “That’s stupid.” Her endless children are inclined to favor the secular over the divine as well, a complicating factor when the dimensions turn all inside out and the jinn, now in our time, are called on to battle the forces of evil that have been hiding on the other side of the metaphorical wall between—well, civilizations, maybe. Rushdie turns in a sometimes archly elegant, sometimes slightly goofy fairy tale—with a character named Bento V. Elfenbein, how could it be entirely serious?—for grown-ups: “A fairy king,” he writes, and he knows whereof he speaks, “can only be poisoned by the most dreadful and powerful of words.”
Beguiling and astonishing, wonderful and wondrous. Rushdie at his best.Pub Date: Sept. 8, 2015
ISBN: 978-0-8129-9891-7
Page Count: 304
Publisher: Random House
Review Posted Online: June 8, 2015
Kirkus Reviews Issue: July 1, 2015
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
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