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THE GREAT AMERICAN SONGBOOK

Alternately roguish and melancholy, always mellifluous.

A debut collection which oscillates in style and subject but not in resonance.

Alike only in their timbre, these well-crafted stories are sometimes mischievous, as in “Bar Joke, Arizona,” in which each character embodies the setup of a wisecrack; sometimes solemn, as in “Love Goes to a Building on Fire,” which draws parallels between the various, expanding homes a doomed couple shares; always sedately sincere. Along with substance, Allingham experiments with style: “Rodgers and Hart” appears as an extended list of categories in which two men are compared, one far less favorably. His characters carom from adolescent men with dark fixations to anonymous assassins pitted against one another so that only one may live to famous musician Artie Shaw dedicating songs for other renowned artists such as Lana Turner and Billie Holiday to women grieving and fighting to recover. These latter subjects appear in the two most moving stories of the collection. In “Stockholm Syndrome,” Betty observes the relationships around her, noting, “When you’re closed off from the outside world, you start to take on the worldview of your captor.” She is slowly returning to the world after being derailed by an abusive relationship, and she cares deeply for her cafe co-worker, Thomas, who is himself trapped. In “Husbandry,” Cheryl’s father has recently passed away, and, inconsolable, her mother is slowly changing into someone Cheryl cannot abide: a coldhearted hunter. These stories, surprising and sonorous, ground the collection. But Allingham writes in a lilting prose which makes even the more cheeky stories earnest.

Alternately roguish and melancholy, always mellifluous.

Pub Date: Nov. 15, 2016

ISBN: 978-0-9892759-9-6

Page Count: 182

Publisher: A Strange Object

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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