Another rousing wartime thriller that gets its facts and its storytelling right.
A sixth entry from the case files of troubled Finnish detective Inspector Pekkala.
This is another exciting historical thriller from the prolific Eastland (The Beast in the Red Forest, 2014, etc.), the pen name for American literary novelist Paul Watkins (Ice Soldier, 2005, etc.). This entry finds Pekkala working in two eras. We first meet him working as Czar Nicholas' right-hand man in pre-Revolutionary Russia, a role that puts him in the middle of political intrigue and pits him against the mystic Rasputin, who entranced the czar’s wife with his care of their hemophiliac son. The other strand of the book takes place in 1945 as the war rages on and Pekkala is one of Stalin’s most trusted investigators. The item linking these two sides of the story is a rare icon called “The Shepherd,” which Pekkala believed was destroyed by a mad priest in 1914. When two Russians discover the icon in a grave in a country church outside Berlin, the dictator orders Pekkala to investigate its authenticity. What doesn't change between the two stories is Pekkala, with his fierce intelligence and wounded heart. “There are some things from which a man does not recover,” Eastland writes. “There is no hiding place deep enough inside the catacombs of his brain where he can hide the memories. They will always find their way out, baying like wolves in the black tunnels of his mind until they reach the light again. The only thing that he can do is let them come, fighting the nightmares until even the demons which brought them grow sick of the carnage.” The author takes his fragile hero down some impressively murky tunnels as Pekkala tracks the icon’s origins to a creepy, true-life secret sect of Russian outcasts known as the Skoptsy, or “castrated ones.” Worse, the madmen have gotten their hands on a little-known German nerve agent called the Sartaman Project and are threatening to use their weapon of mass destruction.
Another rousing wartime thriller that gets its facts and its storytelling right.Pub Date: Dec. 15, 2015
ISBN: 978-1-62316-086-9
Page Count: 352
Publisher: OPUS
Review Posted Online: Oct. 6, 2015
Kirkus Reviews Issue: Oct. 15, 2015
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
An addictive psychological thriller.
When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.
Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.
An addictive psychological thriller.Pub Date: May 19, 2015
ISBN: 978-0-06-236225-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: March 1, 2015
Kirkus Reviews Issue: March 15, 2015
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
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