Entertaining and occasionally moving tales from the wilds of showbiz.
One of America’s first reality stars taps his way through five decades of life on stage filled with the highest highs and the lowest lows.
Harris is best known to most readers as the first winner of Star Search and/or Liza Minnelli’s BFF, depending on whom you ask. It turns out that the pop singer has the writing chops to tell a good tale, but be prepared for a slew of name-dropping: “I lunched with Lucille Ball! I shared a dressing room with Al Green and improvised with him! I discussed playwriting backstage with Lily Tomlin and Jane Wagner! I was just about adopted by Liza Minnelli and Chita Rivera! I was given song ideas from Bette Midler!” And that’s just half of that paragraph. Two stories about Minnelli are more revealing about the author than the superstar. In “Promises,” Harris examines how he helped her recover from her ill-advised marriage to “The Man Whose Name Shall Go Unmentioned.” Far less whimsical is “I Know, Baby. I Know,” in which Harris plumbs the depths of his own alcoholism during a visit to Minnelli in rehab. Another, “Comfort Food,” elegantly crosses the terror of 9/11 with the author’s appearance on Oprah. When the stories leave behind the lights of Broadway, most can be very touching, as Harris recounts stories of growing up gay in rural America, the story of meeting his longtime partner, the perils of modern-day parenthood, and the tale of his childhood home burning down not once, but twice in “Drilling Without Novacaine.” There’s melancholy aplenty, but most of the stories are uplifted by Harris’ quirky sense of humor. In the cringe-inducing “I Feel, You Feel,” the author is virtually abandoned on stage by a noticeably overdue Aretha Franklin. A standout is the navel-gazing meditation “Liver,” an examination of blind optimism that ends well: “In the end, I would rather be bruised than cynical, trusting than suspicious, disappointed than apathetic.”
Entertaining and occasionally moving tales from the wilds of showbiz.Pub Date: Jan. 14, 2014
ISBN: 978-1-4767-3341-8
Page Count: 320
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Nov. 2, 2013
Kirkus Reviews Issue: Nov. 15, 2013
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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