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THE FABULOUS BOUVIER SISTERS

THE TRAGIC AND GLAMOROUS LIVES OF JACKIE AND LEE

Suffice it to say, more than 50 years on, explorations of the truths and fictions of Camelot continue to mesmerize.

A story of sisterhood that reveals how all the fortune and fame in the world can’t assuage sibling rivalry.

With the exception of their parents’ divorce, it’s hard to imagine a more charmed youth than that of young Jacqueline and Lee Bouvier. These two remarkable women, who would go on to become first lady to President John F. Kennedy and princess to Prince Stanislaw Albrecht Radziwill, had seemingly every possible advantage. However, Vanity Fair vets Kashner and Shoenberger (co-authors: Furious Love: Elizabeth Taylor, Richard Burton, and the Marriage of the Century, 2010, etc.) write, the sisters’ relationship was a lifelong balance of love and envy. Case in point: Jackie would go on to marry Aristotle Onassis, Lee’s former lover. With entirely opposite personalities—Lee was outgoing and dramatic, Jackie demur and shy—each seemingly wound up with what would have been the other’s ideal life. In this well-researched dual biography, the authors describe how that fate would both haunt and help them. But while the story is essentially about the sisters, the narrative favors Lee’s perspective, showcasing the often misunderstood socialite’s battle with wanting to be more than just a pretty face. Of course, it was hard to shake that label given the philosophy the girls’ father—failed Wall Street stock broker and alcoholic John Vernou Bouvier III—ingrained in them: “Style…is not a function of how rich you are or even who you are. Style is more a habit of mind that puts quality before quantity, noble struggle before mere achievement, honor before opulence. It’s what you are….It’s what makes you a Bouvier.” Living up to such an ideal would become Lee’s Achilles heel, and her illustrious love life often overshadowed her attempts at self-actualization. Not surprisingly, the supporting casts—Truman Capote, Peter Beard et al.—in the lives of the Bouvier sisters were just as flawed and fascinating.

Suffice it to say, more than 50 years on, explorations of the truths and fictions of Camelot continue to mesmerize.

Pub Date: Sept. 25, 2018

ISBN: 978-0-06-236498-2

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: June 26, 2018

Kirkus Reviews Issue: July 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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