by Samantha Hunt ‧ RELEASE DATE: Nov. 8, 2004
Intelligent, complex, and ambitious, with symbols and structure that have life and movement, while the psychology at the...
A poetic, almost successful debut tale of a small-town girl who’s in love—in about equal parts—with the sea, her absent father, and a man named Jude.
That the narrator often seems younger than her 19 years may be due partly to the influence of the seedy, parochial, decrepit little seaside town where she lives—the town her father mysteriously disappeared from 11 years back, leaving wife and daughter to catch as catch can. “We don’t move away,” she tells us, “ . . . because we are waiting for him to return.” And the wait, it’s hard for a reader to deny, feels long as the girl aches incessantly not only for her father but for the love of 33-year-old Jude, whom she met once when she was wading in the sea—and Jude was coming out of it, thus reminding her of her father, who may (not an absolute certainty) have disappeared into it. Jude and the girl become fast friends but not lovers—nor, however much she yearns for sex with him, do they become lovers later, in the novel’s present time, after Jude has gone to and returned from the first Iraq war. After Iraq, he’s different—inward, melancholy, “war-torn.” And sexually unresponsive. And so things are frozen, halted. Only as Hunt turns farther toward a lyric magic realism where the real, symbolic, and imaginary blend, is it possible for the story’s resolution to occur. The trouble is, though, that all hangs on Jude’s war traumas, which have an inserted and prepackaged feel, and, further, don’t provide change but only shock. Dream, madness, error, and sorrow, plus another strange and magical encounter, will at last bring everything to an end, if not a close.
Intelligent, complex, and ambitious, with symbols and structure that have life and movement, while the psychology at the base of it all remains stubbornly—and unsatisfyingly—inert.Pub Date: Nov. 8, 2004
ISBN: 1-931561-85-0
Page Count: 196
Publisher: MacAdam/Cage
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2004
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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