Painful but essential reading.
An expert in disaster management explains her specialty.
As a fiercely public-spirited teenager, Montano, who teaches emergency management at Massachusetts Maritime Academy, joined volunteers pouring into New Orleans after Hurricane Katrina in 2005. Although numerous writers have described the misery that she witnessed there, readers will encounter a few jolts. However, some may be surprised to learn that, more than 15 years later, volunteers still travel to New Orleans to work; although commercial and wealthy areas are up and running, poor, largely Black neighborhoods remain blighted. The experience inspired Montano to obtain an advanced degree in disaster management, and she delivers plenty of insights into 21st-century catastrophes. She writes that while Hollywood disasters happen fast, “every disaster you have yet to experience in your lifetime has already begun. The threads of risk are spun out over decades, even centuries, until they crescendo into disaster.” In the past decade, we have experienced record-strength hurricanes, forest fires, and floods. These follow from the burning of fossil fuels, so climate change is far from a future problem. Like countless scientists before her, she notes that “it’s not a question of if we will experience the consequences of climate change, but rather how bad it will be.” The author offers lucid accounts of how people respond to disasters (they rarely panic—Hollywood gets it wrong again—but rush to help) and how expert disaster management can mitigate future disasters, relieve suffering when they happen, and manage future recovery. Although Katrina is center stage, Montano illustrates her points with other disasters, most of which received inadequate responses. Hurricane Maria, which ravaged Puerto Rico in 2017, was far more damaging than Katrina, and government response was slower. It’s hardly news that the Covid-19 pandemic was handled poorly, but Montano contributes more disheartening details. Most books on disaster end with hope, but the author will have none of it. She exhorts readers to take action but doesn’t claim to see light at the end of the tunnel.
Painful but essential reading.Pub Date: Aug. 3, 2021
ISBN: 978-0-7783-1103-4
Page Count: 352
Publisher: Park Row Books
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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