Painful but essential reading.
An expert in disaster management explains her specialty.
As a fiercely public-spirited teenager, Montano, who teaches emergency management at Massachusetts Maritime Academy, joined volunteers pouring into New Orleans after Hurricane Katrina in 2005. Although numerous writers have described the misery that she witnessed there, readers will encounter a few jolts. However, some may be surprised to learn that, more than 15 years later, volunteers still travel to New Orleans to work; although commercial and wealthy areas are up and running, poor, largely Black neighborhoods remain blighted. The experience inspired Montano to obtain an advanced degree in disaster management, and she delivers plenty of insights into 21st-century catastrophes. She writes that while Hollywood disasters happen fast, “every disaster you have yet to experience in your lifetime has already begun. The threads of risk are spun out over decades, even centuries, until they crescendo into disaster.” In the past decade, we have experienced record-strength hurricanes, forest fires, and floods. These follow from the burning of fossil fuels, so climate change is far from a future problem. Like countless scientists before her, she notes that “it’s not a question of if we will experience the consequences of climate change, but rather how bad it will be.” The author offers lucid accounts of how people respond to disasters (they rarely panic—Hollywood gets it wrong again—but rush to help) and how expert disaster management can mitigate future disasters, relieve suffering when they happen, and manage future recovery. Although Katrina is center stage, Montano illustrates her points with other disasters, most of which received inadequate responses. Hurricane Maria, which ravaged Puerto Rico in 2017, was far more damaging than Katrina, and government response was slower. It’s hardly news that the Covid-19 pandemic was handled poorly, but Montano contributes more disheartening details. Most books on disaster end with hope, but the author will have none of it. She exhorts readers to take action but doesn’t claim to see light at the end of the tunnel.
Painful but essential reading.Pub Date: Aug. 3, 2021
ISBN: 978-0-7783-1103-4
Page Count: 352
Publisher: Park Row Books
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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