Dark reflections layered into a complex, refracted narrative.
Gay African-American poet tries to make sense of his life.
Arnold Hawley won the obscure Alfred Proctor Prize for Poetry for an early volume of verse, but larger critical acceptance has been elusive. Delany (Dhalgren, 2001, etc.) divides his narrative into three concatenated sections. In “The Prize,” Hawley confronts the fact that his latest volume of poems has not been a success. The narrative moves back and forth through his life, introducing us to his formidable Aunt Bea, an opera-loving polymath whose death precipitated her nephew’s breakdown. The second section, “Vashti in the Dark,” recounts Hawley’s impulsive, egregiously brief marriage (less than 12 hours) to a disturbed and disturbing young woman he had just met on a park bench. (She shifts identities so rapidly that he’s not even sure of her name.) Finally, “The Book of Pictures” depicts 23-year-old Hawley grappling with his sexuality while a student at Boston University. He encounters various characters on the periphery of society, most notably a mentally retarded but sexually aware giant rescued from Alabama poverty by a pioneering photographer in homoerotic images. Woven through all three sections is Hawley’s attempt to come to terms with his feeling that “pre-Stonewall fear of discovery had been replaced by a post-Stonewall sense of vulgarity in all this public discussion of what, after all, surely should be private.” While he recognizes and celebrates a more “modern” acceptance of homosexuality, Hawley ultimately acknowledges that he has never escaped the timidity, terror and shame instilled by his repressive upbringing.
Dark reflections layered into a complex, refracted narrative.Pub Date: May 15, 2007
ISBN: 0-78671-947-8
Page Count: 304
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2007
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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