A master class in how to tell a war story.
Nineteen interconnected short stories about the toll of war, written by someone who was there.
The old joke says that if fairy tales begin, “Once upon a time,” then war stories always start with, “You ain’t gonna believe this….” Translated from the Hungarian, journalist Jászberényi's stories about war correspondents, combatants and victims ring as true as any nonfiction. In the opener, “The Fever,” we meet the author’s main channel to readers, a jaded war reporter named Daniel Marosh, who's suffering from his illness in a Sudanese backwater on his way to yet another conflict zone. “I am smiling because I don’t regret anything, really,” he tells us. “I never wanted to live a sensible life. I never wanted to be a model citizen, have a family, or even a child. If something like that happened, it would end in total failure. I only have answers when the circumstances are clear, like life and death; that’s when I feel best, when the questions are easy, uncomplicated by the reflexes of a dying civilization.” This is heady, dizzying writing, rapt with cleareyed descriptions of armed children, brutal executions, sniper fire and sandstorms. Whether set in Sudan, Egypt or Gaza, each story reveals something about the nature of war and finds a kind of clinical sympathy not only for those caught up in it, but also for those who wage it. The best stories, like “Something About the Job,” delve into the psyche of the book’s determined journalist, explaining to us why he is the way he is and questioning whether the war made him or he sought out the scene. Despite the book’s very spare language, Jászberényi finds a kind of poetry in these wars, even as he declines to turn a blind eye to the suffering they bring. These stories sound more like Philip Caputo or Tim O’Brien than a postmodern accounting of current events.
A master class in how to tell a war story.Pub Date: Dec. 2, 2014
ISBN: 978-0-9900043-3-2
Page Count: 224
Publisher: New Europe Books
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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