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BITTER GROUNDS

A luminously rendered second novel from the author of A Place Where the Sea Remembers (1993). Here, memorable pairs of mothers and daughters, caught up in the violence of recent Salvadoran history, live, love, and die for their passions. Ben°tez excels at capturing the textures of landscape, of class and period, and tells here a multigenerational saga shaped by politics but refreshingly free of polemic. Her upper-class characters are as fairly delineated as her peasants, as she tells the story of three generations of mothers and daughters whose lives intersect. She begins with the infamous massacre of 1932, when Indian peasants suspected of being communists were slaughtered in the countryside. Thirteen-year-old Jacinta and her mother, Mercedes Prieto, are the only survivors of the attack in which their home is burned and Mercedes's husband killed. The two struggle to survive. When Mercedes begins working for wealthy landowners Elena and Ernesto de Contreras, however, life improves. Elena, a more enlightened product of her class and times, has her own sadness: On the eve of daughter Magda's wedding, she discovers Cecilia, her best friend, in bed with Ernesto. Hurt and angry, she vows never to see Cecilia again, which of course has repercussions in a story that suffers from foreshadowing. As the country experiences coups and falling coffee prices, the women try to live normal lives but find it impossible. Jacinta's first love is killed for being a union supporter; Alma, her daughter by a married man, becomes a revolutionary and dies in a botched kidnapping; and Magda, who employs Jacinta and raises daughter Flor, along with Alma, loses her husband and son-in-law in the same kidnapping. Exile in Miami with a hint of a happy ending as the war heats up in the late '70s is the only option for Jacinta, Magda, and her family. A sometimes schematic but always vivid chronicle of strong women facing the challenges of living in sad and violent times. (Author tour)

Pub Date: Sept. 4, 1997

ISBN: 0-7868-6157-6

Page Count: 386

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1997

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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