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THE WEIGHT OF ALL THINGS

Quite a valuable history lesson, despite its stock types.

A nine-year-old boy wanders through war-torn El Salvador, trying to find his mother and stay out of the line of fire, in this lucid but limited tale.

Benítez (Bitter Grounds, 1997, etc.) sets her third novel in the six-week period between two recent cataclysms of Salvadoran history: the March 1980 funeral of assassinated Archbishop Oscar Romero, at which 35 mourners were killed; and the military’s massacre of 600 fleeing peasants on the Honduran border. Although her protagonist, Nicolás de la Virgen Veras, lives in the countryside with his grandfather, he goes to San Salvador to join his mother at “the funeral of a martyred saint.” When violence breaks out at the cathedral, Nicolás’s mother is killed by a bullet. Separated from her body by chaotic circumstances, the boy thinks she’s still alive, but he doesn’t have the address of the house where she was a servant. So he journeys back to his rural village, only to find it abandoned and devastated by bombings. As he roams about, Nicolás meets both leftist guerrillas and right-wing army soldiers—all of whom say exactly what you’d expect—and comes to understand the tragedy of being caught in the middle. As Benítez notes, “While the two sides fought for their principles, most of the dying was done by the people.” Contrasting with the novel’s usual plainspoken realism are the occasional manifestations of the Virgin Mary, who gives guidance and reassurance to Nicolás during his most harrowing moments. Such scenes—when, for example, a statuette of the Virgin actually speaks to the little boy—are authentically weird and sometimes a bit mawkish. But they don’t distract from Benítez’s vivid portrait of a time and place in which even children are murdered without second thought.

Quite a valuable history lesson, despite its stock types.

Pub Date: Feb. 1, 2001

ISBN: 0-7868-6399-4

Page Count: 256

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2000

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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