A lightweight, innocuous narrative. For many readers, the resolution (when it finally comes) will be no great shock. Still,...
Murdered prostitutes, unsavory characters and high society provide fodder for scandal sheets—and for author Dallas (True Sisters, 2012, etc.)—in 1885 Denver.
Beret Osmundsen is upset when she receives news of her sister’s death and discovers she was murdered during a brutal attack in a high-class brothel. Beret raised her much younger sibling following their parents’ deaths, but a bitter argument led to their estrangement. Lillie moved in with their socially prominent aunt and uncle, Varina and John Stanton, in Colorado, and Beret assumed that she’d been residing in their home since she left New York. Determined to discover the circumstances of Lillie’s murder, Beret travels to Denver and teams with Detective Michael McCauley, who’s in charge of the investigation. Although sparks don’t immediately fly, the detective and Beret develop a mutual respect for each other as they question those who were part of Lillie’s circle during her final days: McCauley quickly learns that Beret has the mettle to stand up to almost anyone, and Beret discovers McCauley is a man of principle. She also slowly realizes that she never really knew her sister at all. Pretty certain Lillie’s murder was not a random act (although a second murder points in that direction), the unlikely pair pursues leads in Denver’s seediest businesses in the tenderloin district, where the least desirable prostitutes occupy cribs, men make wagers in gambling joints, and opium dens provide mind-numbing retreat; but they also pursue suspects who rank among the city’s highest social strata and occupy mansions in the best part of town. Sorting through numerous suspects—and veteran Dallas deftly offers a wide array of shady characters to choose from—Beret has a tough time eliminating anyone as she searches for a pair of diamond earrings, which she believes were stolen from her sister by the murderer.
A lightweight, innocuous narrative. For many readers, the resolution (when it finally comes) will be no great shock. Still, not a bad choice for a lazy, low-key weekend.Pub Date: Oct. 22, 2013
ISBN: 978-1-250-03093-1
Page Count: 352
Publisher: St. Martin's
Review Posted Online: Aug. 28, 2013
Kirkus Reviews Issue: Sept. 15, 2013
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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