Dallas lays on the sentimentality (and Christian overtones), but her sense of time and place is pitch perfect and her...

WHITER THAN SNOW

Dallas (Prayers for Sale, 2009, etc.) centers her eighth novel around an avalanche that strikes the mining town of Swandyke, Colo., in the 1920s, trapping nine young children under the snow.

By the end of the first chapter readers know the names of the children and that only four will survive, but Dallas’s interest lies with their parents. There are sisters Lucy and Dolly. Dolly stole Lucy’s fiancé years ago, and Lucy, though married to a man who makes her happy, has never forgiven Dolly. Then there is Grace, the wife of the mine superintendent. After her father lost the family fortune, Grace seduced her husband into marriage out of the mistaken fear she was pregnant with another man’s child. Unable to fit in with the local women, she’s become a lonely neurotic. The only black man in Swandyke and a single father to his daughter, Joe tries to keep a low profile since running away from Alabama after he hit the white doctor who caused his wife’s death. Septuagenarian Minder Evans is raising his orphaned grandson. A Civil War vet, Minder’s guilt over letting his best friend die has left him a bitter loner. Finally there is Essie, the prostitute whose secrets include her Jewish background and her daughter, being raised by another woman until Essie can pull together enough money to leave the whorehouse. The avalanche story does not pick up again until the seventh chapter, when Grace witnesses the snow slide and alerts the town. As the digging out begins, and even after the surviving children are identified, the novel remains focused on how the tragedy redeems the adults’ lives. The sisters reunite. Grace finds her place in the community and becomes a novelist. Minder reaches out both to Essie, who leaves prostitution to care for him, and Joe, whose suicide he prevents.

Dallas lays on the sentimentality (and Christian overtones), but her sense of time and place is pitch perfect and her affection for her characters infectious.

Pub Date: April 1, 2010

ISBN: 978-0-312-60015-0

Page Count: 304

Publisher: St. Martin's

Review Posted Online: Dec. 24, 2010

Kirkus Reviews Issue: Jan. 15, 2010

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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