A powerful story with a vivid setting, compelling plot, and multifaceted characters.
In this riveting historical novel based on true events, political tensions in a Scottish mission in 19th-century Calcutta, India, give rise to a sexual scandal.
Mary Pigot has been the superintendent of the Ladies’ Association Female Mission in Calcutta for 10 years before the Rev. William Hastie arrives in 1879. Hastie, the principal of the Scottish College, quickly finds fault with Pigot’s policies, practices, and mannerisms; for example, he feels that the orphanage that she manages isn’t up to Scottish standards of cleanliness. Hastie and his comrades also don’t agree with her proselytizing approach: “educate first, convert later—if ever.” Nor does Pigot share Hastie’s resentment toward members of the Free Church, which broke away from the Church of Scotland in 1843. She’s quick to assist anyone who needs help—even members of the local community whom Hastie finds questionable. The growing friction between Pigot and Hastie culminates in a formal investigation of the superintendent followed by libelous claims that she’s abusive, neglectful, incompetent, and immoral. Due to her casual demeanor with male colleagues, her enemies accuse her of “fornication” with an Indian man and a fellow missionary. To clear her name and take back her position, Pigot takes Hastie to court, leading to an unpredictable, sensational trial. Although the book is set in the 1800s, its approach to political, religious, cultural, and gender-related issues is surprisingly relevant. Wagner-Wright (Rama’s Labyrinth, 2015, etc.) paints India’s culture and climate in stunning detail: “March comes on like a slow fire. Another week, and we’ll have the humidity.” The realistic, intricate characters take turns narrating the tale, panoramically revealing themselves through their perceptions. At one point, for example, Hastie narrates, “I stop and take a breath, composing myself for this audience of fools.” The plot’s first half proceeds at an unhurried pace, but when the trial starts, its momentum resembles that of a competitive sporting event. Wagner-Wright’s extensive research allows her to stay remarkably true to history while her creativity brings an outstanding story of courage and fortitude to life.
A powerful story with a vivid setting, compelling plot, and multifaceted characters.Pub Date: Feb. 1, 2019
ISBN: 978-0-9963845-4-4
Page Count: 504
Publisher: Wagner Wright Enterprises
Review Posted Online: Nov. 15, 2018
Kirkus Reviews Issue: Jan. 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
