A powerful story with a vivid setting, compelling plot, and multifaceted characters.
In this riveting historical novel based on true events, political tensions in a Scottish mission in 19th-century Calcutta, India, give rise to a sexual scandal.
Mary Pigot has been the superintendent of the Ladies’ Association Female Mission in Calcutta for 10 years before the Rev. William Hastie arrives in 1879. Hastie, the principal of the Scottish College, quickly finds fault with Pigot’s policies, practices, and mannerisms; for example, he feels that the orphanage that she manages isn’t up to Scottish standards of cleanliness. Hastie and his comrades also don’t agree with her proselytizing approach: “educate first, convert later—if ever.” Nor does Pigot share Hastie’s resentment toward members of the Free Church, which broke away from the Church of Scotland in 1843. She’s quick to assist anyone who needs help—even members of the local community whom Hastie finds questionable. The growing friction between Pigot and Hastie culminates in a formal investigation of the superintendent followed by libelous claims that she’s abusive, neglectful, incompetent, and immoral. Due to her casual demeanor with male colleagues, her enemies accuse her of “fornication” with an Indian man and a fellow missionary. To clear her name and take back her position, Pigot takes Hastie to court, leading to an unpredictable, sensational trial. Although the book is set in the 1800s, its approach to political, religious, cultural, and gender-related issues is surprisingly relevant. Wagner-Wright (Rama’s Labyrinth, 2015, etc.) paints India’s culture and climate in stunning detail: “March comes on like a slow fire. Another week, and we’ll have the humidity.” The realistic, intricate characters take turns narrating the tale, panoramically revealing themselves through their perceptions. At one point, for example, Hastie narrates, “I stop and take a breath, composing myself for this audience of fools.” The plot’s first half proceeds at an unhurried pace, but when the trial starts, its momentum resembles that of a competitive sporting event. Wagner-Wright’s extensive research allows her to stay remarkably true to history while her creativity brings an outstanding story of courage and fortitude to life.
A powerful story with a vivid setting, compelling plot, and multifaceted characters.Pub Date: Feb. 1, 2019
ISBN: 978-0-9963845-4-4
Page Count: 504
Publisher: Wagner Wright Enterprises
Review Posted Online: Nov. 15, 2018
Kirkus Reviews Issue: Jan. 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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