A mostly engaging story of sticking up for one’s own beliefs, aimed at young readers interested in questions of social...

MADDIE & SAYARA

A spunky 13-year-old girl challenges the sexist laws of another country in this middle-grade novel of girl power and social justice.

Maddie is on vacation in the Bahamas when she first meets Sayara. They have several things in common: they’re the same age; they both find their little brothers annoying; and they both have doting nannies. Their friendship is cut short, though, when Sayara must return to the unnamed kingdom where she lives, because her beloved cousin Themi has been arrested for driving while female. Maddie is incensed at this and a host of other unfair laws that Sayara must deal with. She vows to go to any lengths to help her friend—even if it means using her mother’s airline miles to book a ticket to the kingdom. On her flight, she meets Alisha, a native of the kingdom who left because of the oppressive societal strictures. She lends Maddie a garment called a “tent,” which all women are required to wear. When Maddie arrives at the kingdom, the “FP,” or Faith Police, are angry that she doesn’t have a man accompanying her; Alisha’s husband swoops in to help, and the family takes Maddie in. Soon her mission to help Sayara is revealed, and despite the risks, Alisha and her family agree to help. Overall, Maddie is an enjoyable and bright first-person narrator with a voice that’s imbued with all the attitude and passion of an authentic teenage girl. It’s also a pleasure to encounter the many grown-ups in her life who inspire her, from her independent Aunt AK (“I’ve always wanted to be like her,” Maddie says. “She’s not only pretty on the outside, but really kind on the inside”) to her forgiving father and Alisha’s wise parents. Some of the dialogue about the injustices in the kingdom is heavy-handed; for example, Themi’s impassioned speech about the unfair laws goes on for more than five pages. But despite the unsubtle messaging, the escalating drama and Maddie’s energetic narration will keep readers turning pages.

A mostly engaging story of sticking up for one’s own beliefs, aimed at young readers interested in questions of social justice.

Pub Date: July 23, 2017

ISBN: 978-1-943967-88-9

Page Count: 190

Publisher: Full Circle Media

Review Posted Online: July 28, 2017

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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